New Books in Asian American Studies

The Case for Identity Politics: Polarization, Demographic Change, and Racial Appeals (University of Virginia Press, 2020) dives into the discussion and debate surrounding the 2016 primary and how Donald Trump was ultimately nominated by the Republican Party to be their standard bearer and then elected president. But this is not the center of the book—though it is a very important data point. Christopher Stout, Associate Professor of Political Science at Oregon State University, came to this question about identity politics and how this understanding of rhetorical and political levers is at play with different groups of voters in the United States, through the work of Charles Hamilton and considerations of the idea of deracialized strategies in American politics. Hamilton, who has written a forward to The Case for Identity Politics, co-authored, with Kwame Toure, the 1967 text Black Power: The Politics of Liberation, bringing forward this deracialization thesis that provides the jumping off point for Stout’s research and analysis. Stout discusses this concept of the deracialization of political rhetoric and campaigns, especially by Democratic presidential candidates over the past thirty or forty years. The Case for Identity Politics explores the nuances of policy appeals that center on race and policy appeals that deracialize the policy itself. Stout, in examining these different paths over the past decades, also traces some of the changes within American political parties, most particularly within the parties themselves and whom the parties see and respond to as their base supporters. This is a rich, detailed, and methodologically diverse study of identity politics, and how identity, particularly racial identity, has worked within politics in the United States, operating differently at state/local levels and national levels. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Many scholars have interrogated the incarceration of 120,000 Japanese-Americans during WWII – with an eye to understanding the particular type of racism that allowed the administration of Franklin D. Roosevelt to punish based on heritage rather than any particular action or crime. Bradford Pearson’s new book The Eagles of Heart Mountain: A True Story of Football, Incarceration, and Resistance in World War II America (Atria/Simon and Schuster, 2021) provides a political history of the incarceration of Japanese-Americans during WWII by, first, going back in time to highlight the complex history of how Japanese (and Chinese) Americans first came to the West coast in the 17th century and the nuances of the racism they encountered over the centuries. Once Pearson establishes the origins of Anti-Asian-American racism, he follows several teenagers who played football both free and incarcerated. These nisei, American citizens of Japanese heritage, had their education and participation in a sport that has come to define what is “American” interrupted by the transports, relocations, and imprisonments that placed families in concentration camps across the United States. Pearson uses their role in a football team created in one concentration camp – Heart Mountain Relocation Center in Cody, Wyoming – to document racism and discrimination but also sports competition as a means of escapism and regaining dignity. Pearson, the former features editor of Southwest: The Magazine and a journalist who has published in the New York Times, Esquire, Time, and Salon, uses foundational works in history and political science, his own oral histories, government surveillance files, and archives associated with Heart Mountain, to create a relevant history for considering how we define citizenship in the U.S., the role of the legislature and courts in establishing and maintain white supremacy, American acceptance of incarceration based on race, and the importance of fully contextualizing American public figures such as Franklin Delano Roosevelt, Eleanor Roosevelt, and Earl Warren. Susan Liebell is an associate professor of political science at Saint Joseph’s University in Philadelphia. Why Diehard Originalists Aren’t Really Originalists recently appeared in the Washington Post’s Monkey Cage and “Retreat from the Rule of Law: Locke and the Perils of Stand Your Ground” was published in the Journal of Politics (July 2020). Email her comments at sliebell@sju.edu or tweet to @SusanLiebell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

In this inaugural episode, we discuss a unique special issue of The Journal of Asian American Studies: #WeToo, a reader of Art, Poetry, Fiction, and Memoir, that seeks to answer the question, “What does sexual violence look like in the lives of those hailed as “model minority?” Intended as a reader for the college classroom, the #WeToo special issue contains works that make academic language and theories of sexual violence relevant and workable for our students’ understanding of their own lives and experiences. This episode features interviews with the issue editors, erin Khuê Ninh and Shireen Roshanravan, as well as with two contributors, James McMaster, and Mashuq Mushtaq Deen. The JAAS Podcast is a collaboration between the New Books Network and the Journal of Asian American Studies (JAAS) and is hosted by Chris Patterson (University of British Columbia). The Issue’s Companion Website on the Asian American Writers Workshop is here. Christopher B. Patterson is an Assistant Professor in the Social Justice Institute at the University of British Columbia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

In the spring of 1942, the United States government forced 120,000 Japanese Americans from their homes in California, Oregon, Washington, and Arizona and sent them to incarceration camps across the West. Nearly 14,000 of them landed on the outskirts of Cody, Wyoming, at the base of Heart Mountain. Behind barbed wire fences, they faced racism, cruelty, and frozen winters. Trying to recreate comforts from home, many established Buddhist temples and sumo wrestling pits. Kabuki performances drew hundreds of spectators—yet there was little hope. That is, until the fall of 1943, when the camp’s high school football team, the Eagles, started its first season and finished it undefeated, crushing the competition from nearby, predominantly white high schools. Amid all this excitement, American politics continued to disrupt their lives as the federal government drafted men from the camps for the front lines—including some of the Eagles. As the team’s second season kicked off, the young men faced a choice to either join the Army or resist the draft. Teammates were divided, and some were jailed for their decisions. Bradford Pearson's The Eagles of Heart Mountain: A True Story of Football, Incarceration and Resistance in World War II America (Atria, 2021) honors the resilience of extraordinary heroes and the power of sports in a sweeping and inspirational portrait of one of the darkest moments in American history. Paul Knepper used to cover the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in September 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

As right-wing nationalism and authoritarian populism gain momentum across the world, liberals, and even some conservatives, worry that democratic principles are under threat. In The Spectre of Race: How Discrimination Haunts Western Democracy (Princeton UP, 2018), Michael Hanchard argues that the current rise in xenophobia and racist rhetoric is nothing new and that exclusionary policies have always been central to democratic practices since their beginnings in classical times. Contending that democracy has never been for all people, Hanchard discusses how marginalization is reinforced in modern politics, and why these contradictions need to be fully examined if the dynamics of democracy are to be truly understood. Hanchard identifies continuities of discriminatory citizenship from classical Athens to the present and looks at how democratic institutions have promoted undemocratic ideas and practices. The longest-standing modern democracies —France, Britain, and the United States—profited from slave labor, empire, and colonialism, much like their Athenian predecessor. Hanchard follows these patterns through the Enlightenment and to the states and political thinkers of the late nineteenth and early twentieth centuries, and he examines how early political scientists, including Woodrow Wilson and his contemporaries, devised what Hanchard has characterized as “racial regimes” to maintain the political and economic privileges of dominant groups at the expense of subordinated ones. Exploring how democracies reconcile political inequality and equality, Hanchard debates the thorny question of the conditions under which democracies have created and maintained barriers to political membership. Showing the ways that race, gender, nationality, and other criteria have determined a person’s status in political life, The Spectre ofRace offers important historical context for how democracy generates political difference and inequality. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This unique episode features a dual/duel interview with two authors whose recent books focus on the overlapping contexts and theories of Game Studies and Asian American Studies. The first is Tara Fickle and her book The Race Card: From Gaming Technologies to Model Minorities (NYU Press, 2019), which investigates the ways Asian Americans have had to fit roles, play games, and follow rules in order to be seen as valuable in the US. The second author is Christopher B. Patterson, who discusses his book Open World Empire: Race, Erotics, and the Global Rise of Empire (NYU Press, 2020), which asks similar questions to theorize ways of seeing games as queer erotics, as expressions of empire, and as withholding “The Asiatic.” During this duel/dual interview, each author asks the other questions about their books, with the goal of having a broader conversation about the various concepts that both books play with. Christopher B. Patterson is an Assistant Professor in the Social Justice Institute at the University of British Columbia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Intertwining autobiography and ethnography, Clara Han’s touching new book Seeing Like a Child: Inheriting the Korean War (Fordham University Press, 2020) asks how scholarship can be transformed from a child’s perspective. Through a critique of anthropological practices that assume fully formed “I” in its emphasis on self-reflexivity as well as the prioritization of pre-established epistemological categories in the scholarship on transgenerational trauma, Han shows how distinction between historical and ordinary events breaks down as the violence of war is seeped into everyday lives. The make-believe world interlocks with mundane details of the everyday as a child constructs the world around them through languages that are differently encoded with trauma and joy from the legacy of the war. Divided into four parts, “Part I: Loss and Awakenings” enters into how the trauma of father’s isan kajok (dispersed families) intersect with the memories of illness and affliction of Han’s mother. “Part II: A Future in Kinship, a Future in Language” depicts the process of reconnecting with kin through language while “Part III: The Kids” discusses how sibling relations play an integral role in the inheritance of the Korean War. “Part IV: Mother Tongue” delves into Han’s daughter’s learning about death, loss, and affliction through Han’s father. “Epilogue” further asks how the process of inheriting the trauma of war is gendered and how self-knowledge can lead to anthropological knowledge. Han’s beautifully written and insightful work will be helpful for scholars who are thinking critically about boundaries of knowledge and disciplines, transgenerational trauma and war, and the formation of diasporic communities. Clara Han is Associate Professor of Anthropology at John Hopkins University. Her research interests include care and violence, the catastrophic and the everyday, and kinship relations in Chile and South Korea. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Can we ever overcome the epistemological barrier to conceptualizing Asian women not as particular cases but as theories, and can women of color academics be heard in this process? This is one of the central questions Laura Hyun Yi Kang grapples with in her groundbreaking book, Traffic in Asian Women (Duke University Press, 2020).  Kang, in conversation with works such as Kuan-Hsing Chen’s Asia as Method: Towards Deimperialization, contests the uses of Asian women as a bounded unit of knowledge and proposes “start[ing] off from ‘Asian women’ as an imperial effect and multivalent discourse of intra-Asian contestation and transpacific nonknowing” (35). Contesting the limitation of rendering a generalized group as a bounded unit legible for academics’ expertise and dissection, Kang proceeds to examine “unexpected transfigurations” and “investments in sympathies” of Asian women in three categories that became important for knowledge dissemination within and by the universities, NGOs and UN agencies: “Traffic in women,” “sexual slavery,” and “violence against women.” Further, Kang critically analyzes how the contours of human rights and women’s rights discourses as well as political economy shaped compensation, truth disclosure, and memorialization of “comfort women” transnationally. Through the figure of Asian women, Kang critiques the ways in which capitalist and imperialist global governance has shaped international justice and discourses of redress, drawing a boundary in the knowledge production of Asian women in their complexity, nuance, and unknowability. Kang's work is critical for any scholars who are interested in the questions of interdisciplinarity, critical area and empire studies, justice, transnational feminism, critical university studies, cultural production and social movement.  Laura Hyun Yi Kang is a Professor of Gender and Sexuality Studies at University of California, Irvine. Her previous book, which contends with the problem of disciplinarity, is Compositional Subjects: Enfiguring Asian/American Women (Duke University Press, 2002) and lays out some of the grounds of the discussions that continues in her new book, Traffic in Asian Women.  Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Enter the Wu-Tang. Return to the 36 Chambers. People listening to these albums by the Wu-Tang Clan and its members likely never knew about Sophia Chang: a Korean-Canadian woman who worked with members like RZA, ODB and Method Man. Q-Tip of A Tribe Called Quest called Sophia Chang “an integral part of the golden era of hip-hop.” The Baddest Bitch in the Room (Catapult, 2020) charts Sophia Chang’s life, from her childhood in Vancouver, through time in New York’s hip-hop scene and travels between the United States and China managing martial arts, through to the present day. Sophia Chang is the music business matriarchitect who managed Ol’ Dirty Bastard, RZA, GZA, D’Angelo, Raphael Saadiq, Q Tip, and A Tribe Called Quest as well as working with Paul Simon. She did marketing at Atlantic, A&R at Jive, A&R Admin at Universal, as well as serving as General Manager of RZA’s Razor Sharp Records, Cinematic Music Group, and Joey Bada$$’ Pro Era Records. Sophia is currently a screenwriter and author developing numerous TV properties, including a scripted series at FX based on her memoir “The Baddest Bitch in the Room”. She trained with and managed a Shaolin Monk, who became her partner and father of her children. She produced runway shows for Vivienne Tam and "Project Runway All Stars," and recently created Unlock Her Potential, a program that provides mentorship for women of color. In this interview, Sophia and I talk about her life: her time in the music business, her relationship with hip-hop, and her transition to martial arts and other cultural activities. We talk about what spurred her to tell her own story, and what it was like to be an Asian woman working in these spaces. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of The Baddest Bitch in the Room. Follow on Facebook or on Twitter at @BookReviewsAsia. Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Peculiar Afterlife of Slavery: The Chinese Worker and the Minstrel Form (Stanford University Press, 2020) explores how antiblack racism lived on through the figure of the Chinese worker in US literature after emancipation. Drawing out the connections between this liminal figure and the formal aesthetics of blackface minstrelsy in literature of the Reconstruction and post-Reconstruction eras, Caroline H. Yang reveals the ways antiblackness structured US cultural production during a crucial moment of reconstructing and re-narrating US empire after the Civil War. Ultimately, The Peculiar Afterlife of Slavery shows how the Chinese worker manifests the inextricable links between US literature, slavery, and empire, as well as the indispensable role of antiblackness as a cultural form in the United States. Dr. Caroline Yang is an Associate Professor in the Department of English at the University of Massachusetts Amherst. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In a bustling city-center of Seoul, women in yellow vests protesting over the “final” resettlement between the Japanese and Korean governments every Wednesday is an iconic sight, testifying to the strength and resilience of the “comfort women” movement. In her award-winning book Embodied Reckonings: “Comfort Women,” Performance, and Transpacific Redress (University of Michigan Press, 2018), Elizabeth Son examines a long neglected aspect of the “comfort women” advocacy movement: embodied practices of the former “comfort women” and activists as they protest against the historical amnesia of sexual slavery. Through a transpacific framework, Son shows how the “comfort women” movement holds Asian American and Asian activists together as they collectively address America’s imperialist past and seek redress against militarized sexual violence. Son’s monograph takes the reader to the materiality, physicality, and aurality of the Wednesday demonstrations as the collective presence of former “comfort women” and activists refuse the label “post” of post-colonial, and counter the forced historical amnesia of “comfort women” history. Son further examines the testimonies of “comfort women” during the Women’s Tribunal, which was organized transnationally to highlight the failure of Tokyo Tribunal and other international organizations in recognizing sexual slavery as a crime. Transpacific redressive theater further critiques cultural amnesia, and transpacific memorials connect “comfort women” from formerly colonized nations as well as Japan to rise in solidarity against the universal atrocity of the war. In examining embodied aspects of transpacific redress of the “comfort women” movement, Son’s work asks important questions surrounding the limits/possibilities of transpacific alliances, historical erasure of sexual slavery and the violent legacy of militarized imperialism. Elizabeth Son is Associate Professor and the Director of the Interdisciplinary PhD in Theatre and Drama (IPTD) Program at Northwestern University. She was an inaugural Mellon/ACLS Scholars & Society fellow, and was a scholar-in-residence at KAN-WIN: Empowering Women in the Asian American Community. She continues to partner with KAN-WIN as a crisis hotline volunteer and co-founding member of their “comfort women” justice advocacy team. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Writing Across the Color Line: U.S. Print Culture and the Rise of Ethnic Literature, 1877-1920 (University of Massachusetts Press, 2020), Lucas A. Dietrich investigates how ethnic literatures took shape in the U.S. context and how writers of color intervened in the “mainstream” writing. Interestingly, this intervention was framed through specific genres and techniques, including satire and parody towards the mainstream narratives. The book brings our attention to the most prominent ethnic writings of the second half of the nineteenth century while taking into consideration the negotiations in which both the writers and the publishers participated. What is compelling about this research is the dialogical approach that Dietrich undertakes to explore the ways in which the ethnic writers were, in fact, accepted into what could be described as the dominant mainstream writing of white writers. Writing Across the Color Line contains rich materials which demonstrate not only how the writers of color established dialogue with the leading publishing venues, but also how their works shaped the American readership of the end of the nineteenth century and the beginning of the twentieth century. Dietrich also offers his insights concerning the influences of the nineteenth-century ethnic writers on their counterparts of the twentieth century. In this regard, Writing Across the Color Line: U.S. Print Culture and the Rise of Ethnic Literature, 1877-1920 is a thought-provoking commentary on multiethnic literature in the U.S. Learn more about your ad choices. Visit megaphone.fm/adchoices

The image of the US as leading a good war to establish liberal democracy and move towards racial equality dominate the discourses of the Cold War. In her work, A Violent Peace: Race, U.S. Militarism, and Cultures of Democratization in Cold War Asia and the Pacific (Stanford University Press, 2020), Christine Hong attempts to debunk the idea of good war and warfare-welfare state that allowed women and racial minorities to participate in national politics by showing how the US government was able to launch total war that blurred the boundaries of home and abroad through the “principle of indistinction.” The supposed blurring of colorline through military desegregation and multilateral, multi-racial alliances hid fortification of the US empire as necropolitical war target broadened through indistinction of civilian, women, and children as possible enemies. The US counterinsurgency eroded democratizing, decolonizing movements abroad based on color lines, and rhetorical racial equality at home was accompanied by increased policing of “high-crime” areas where minorities resided. Hong theorizes a range of struggles such as Black freedom, Asian liberation, and decolonization as “homologous responses to unchecked US war and police power at home and abroad… [The] alignment, participation, and complicity with the US military… blurred the color line, giving a redemptive liberal veneer to US war politics in Asia and the Pacific” (8-9). Through rich analyses of literary texts of Ralph Ellison, Carlos Bulosan, and James Baldwin, Hong examines how POC authors contested the promise of liberal democracy while military-industrial complex and colonial violence sought to erase decolonizing struggles. Hong further draws attention to commercialization of hibakusha’s bodies as well as photographs of Miné Okubo to critique the construction of peace as American property. Hong’s groundbreaking work spans Asian American studies, critical Asian studies, and critical empire studies, challenging us to question the modernity that had been presented to us through seeming homogeneity of American liberal democratic ideals. Christine Hong is Associate Professor of Literature at University of California, Santa Cruz. Her research interests include transnational Asian American, Korean diaspora, U.S. war and empire, and comparative ethnic studies. She is also a board member of the Critical Ethnic Studies Association, an executive board member of the Korea Policy Institute, a coordinating committee member of the National Campaign to End the Korean War, and a member of the Working Group on Peace and Demilitarization in Asia and the Pacific. She is currently organizing a teaching initiative to end the Korean War. Da In Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include reproductive justice movement, care labor and migration, affect theory, citizenship, and critical empire studies. She can be reached at dainachoi@g.ucla.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Camps: Vietnamese Refugees, Asylum Seekers and Repatriates (University of California Press, 2020) is an in-depth study of the fate of the nearly 800,000 Vietnamese refugees who left their country by boat, and sought refugee in Southeast Asia and the Pacific. The experiences of these populations and the subsequent policies remain relevant today; Who is a refugee? Who determines their status? And how does it change over time? Jana K. Lipman takes the reader to visit camps in Guam, Malaysia, the Phillipines and Hong Kong, drawing out the politics, policies and how these impacted refugees rights to remain, be resettled or repatriated. She draws out the tensions between the UN High Commissioner for Refugees and the US government, drawing into focus the direct impact this had on the day-to-day lives of those stuck in camps. Her research is the first major work to pay close attention to first-landing host sites, with particular emphasis on Vietnamese activism in the camps and as part of the diaspora. The work will unsettle conventionally accepted accounts of Southeast Asian migration to the US. It reveals how first asylum seeker sites caused UNHCR to reshape international refugee policy. It is a gripping read; historical and also somewhat anthropological, it raises concerns of humanitarianism, human rights and Asian American studies to confront the legal and moral dilemmas, and the obligations that continue to face the US and all host countries of refugees and asylum seekers. It causes the reader to recall the humanity of those seeking asylum, and question current government policies. Though the plight of the Vietnamese refugees is specific, the human need for certainty and safety are universal. This is essential reading in relation to any refugee policy, and human rights and humanitarianism more broadly. Jana K. Lipman is an Associate Professor of History at Tulane University. She is a scholar of U.S. foreign relations, U.S. immigration, and labor history. Her first book was Guantánamo: A Working-Class History between Empire and Revolution.  Jane Richards is a doctoral candidate in Human Rights Law at the University of Hong Kong. Her research interests include disability, equality, criminal law and civil disobedience. You can find her on twitter @JaneRichardsHK where she avidly follows the Hong Kong’s protests and its politics.   Learn more about your ad choices. Visit megaphone.fm/adchoices

When Jeremy Lin shot (pardon the pun) to stardom with his unexpected scoring run with the New York Knickerbockers in 2012 many aficionados of basketball were surprised that an Asian American (Lin is of Taiwanese extraction) played this sport at such a high level. While “Linsanity” did not last, it fueled important questions about the relationship between a particular community and a sport that, at least at the collegiate and professional levels, does not feature many players of this specific ethnic background. While the NBA is not overcrowded with players of Asian descent, the sport is quite popular in places like China (not without controversy, however) and elsewhere in Asia. What roles has the game played in the lives of individuals and communities of Asian Americans in the United States? The answer to that question can be found in Joel Franks’ wonderful monograph Asian American Basketball: A Century of Sport, Community and Culture (McFarland, 2016). The historical record of the sport in Asian American communities, on both coasts, is extensive and of great significance. The sport permitted athletes of such backgrounds with an opportunity to travel and compete against teams of other ethnic groups. More importantly, it permitted both young men and women with a chance to challenge stereotypical notions held about Asian Americans. Franks’ work takes readers from cities such as Seattle and Boston, to the camps for Japanese Americans during World War II, to the hardwoods of high schools, colleges, and yes, even the NBA. All told, the story is similar to works such as that by Ignacio Garcia (who writes about basketball and Mexican Americans in Texas) in that it demonstrates that communities of different backgrounds have utilized “American” games in ways to claim citizenship, space, and recognition within US society. In this regard, as Frank argues, this work continues the process of democratizing US sports history. There is more to this story than the black/white dichotomy (though it is, no doubt, critical). There have been “other” athletes participating in “our” games; and using them not only for recreation, but for their own communal and social purposes. This work adds yet one more layer to the story of American sport. Jorge Iber is a professor of history at Texas Tech University. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Insurgent Aesthetics: Security and the Queer Life of the Forever War (Duke University Press), Ronak K. Kapadia theorizes the world-making power of contemporary art responses to US militarism in the Greater Middle East. He traces how new forms of remote killing, torture, confinement, and surveillance have created a distinctive post-9/11 infrastructure of racialized state violence. Linking these new forms of violence to the history of American imperialism and conquest, Kapadia shows how Arab, Muslim, and South Asian diasporic multimedia artists force a reckoning with the US war on terror's violent destruction and its impacts on immigrant and refugee communities. Drawing on an eclectic range of visual, installation, and performance works, Kapadia reveals queer feminist decolonial critiques of the US security state that visualize subjugated histories of US militarism and make palpable what he terms “the sensorial life of empire.” In this way, these artists forge new aesthetic and social alliances that sustain critical opposition to the global war machine and create alternative ways of knowing and feeling beyond the forever war. Ronak K. Kapadia is an interdisciplinary scholar and cultural theorist of race, security, and empire in the late 20th and early 21st century United States. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ishtyle: Accenting Gay Indian Nightlife (University of Michigan Press, 2020) follows queer South Asian men across borders into gay neighborhoods, nightclubs, bars, and house parties in Bangalore and Chicago. Bringing the cultural practices they are most familiar with into these spaces, these men accent the aesthetics of nightlife cultures through performance. Kareem Khubchandani develops the notion of “ishtyle” to name this accented style, while also showing how brown bodies inadvertently become accents themselves, ornamental inclusions in the racialized grammar of desire. Ishtyle allows us to reimagine a global class perpetually represented as docile and desexualized workers caught in the web of global capitalism. The book highlights a different kind of labor, the embodied work these men do to feel queer and sexy together. Engaging major themes in queer studies, Khubchandani explains how his interlocutors’ performances stage relationships between: colonial law and public sexuality; film divas and queer fans; and race, caste, and desire. Ultimately, the book demonstrates that the unlikely site of nightlife can be a productive venue for the study of global politics and its institutional hierarchies. Kareem Khubchandani is Mellon Bridge Assistant Professor of Theatre, Dance, and Performance Studies and Women's, Gender, and Sexuality Studies at Tufts University. Khubchandani was awarded the 2019 CLAGS Fellowship from CLAGS: Center for LGBTQ Studies for the Ishtyle manuscript. Sneha Annavarapu is a postdoctoral researcher at the University of Chicago.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In Redefining the Immigrant South: Indian and Pakistani Immigration to Houston During the Cold War (University of North Carolina Press), Uzma Quraishi (Sam Houston State University) follows the Cold War-era journeys of South Asian international students from U.S. Information Service reading rooms in India and Pakistan, to the halls of the University of Houston, to the suburban subdivisions of Alief and Sugar Land. This student migration between 1960 and 1980 shows how public diplomacy programs overseas catalyzed the arrival of highly educated, middle-class Asians in the U.S. before the Hart-Celler Act of 1965. Drawing on archival documents, GIS data, and oral interviews, Quraishi investigates how Indian and Pakistani immigrants forged an “interethnic” identity in Houston and located themselves—both socially and geographically—in the midst of a booming yet segregated Sunbelt city. She conceptualizes their mobility as “brown flight,” a process that simultaneously strengthened ethnic bonds even as it reinforced racial and class barriers. By exploring the links between international and local scales, Redefining the Immigrant South will interest scholars from many fields, including Asian American history; histories of the U.S. South, immigration, and U.S. foreign relations; and sub/urban studies. Ian Shin is assistant professor of History and American Culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vanita Reddy, in her book Fashioning Diaspora: Beauty, Femininity and South Asian American Culture (Duke University Press, 2016), locates diasporic transnationality, affiliations and intimacies through the analytic of beauty. Through her analysis of Asian American literary fiction and performance artwork and installations, Reddy lingers on moments, objects and subjective positions that reveal the potentiality of beauty. Not just a site for neoliberal complicity, beauty, in its presence as well as absence, also emerges as something subversive.  The re-articulation of the bindi and the saree, objects that are otherwise imbued with upper-caste, Hindu hetero-reproductive symbolisms, in the works of performance artists, offer queer queer subversion of power structures. Beauty also becomes the site of not just physical but also social (im)mobility as Reddy presents the complicated ways in which beauty relates to aspiration. Central to her project is upending the male-centric understanding of the relationship between the diaspora and the “nation”. Focussing not only on female narratives of movement and mobility but also interrogating the vulnerability and queer-ness of male subject positions, Reddy provides a nuanced interrogation of how “frivolous” beauty becomes the site of transformative transnational journeys.  In the first three chapters, she looks at the literary fiction that either centrally or marginally deploys beauty as the site of narrating stories about the diaspora. Chapter 4 and 5 look at feminist performances and cyber representations of objects like the bindi and saree that deliberately challenge the essentialization of these objects and destabilizes them not just to narrate stories of movement but emphasize potential for mobilization through seemingly non-serious, beautiful artifacts. Vanita Reddy is an Assistant Professor of English at Texas A&M University.                      Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Undocumented youth activists are at the forefront of the present-day immigrant rights movement. This is especially true surrounding the activism of the recent SCOTUS decision on DACA issued on June 18, 2020. Professor Kevin Escudero’s book, Organizing While Undocumented: Immigrant Youth’s Political Activism Under the Law (New York University Press, 2020), depicts just how undocumented immigrant youth have utilized their identities for political action between 2010-2019. By developing what he calls the “Identity Mobilization Model,” Escudero studies the intersectional collective identity formation of undocumented immigrant communities by focusing on how micro-level processes interact with macro-level legal structures.   Escudero uses intimate narrative accounts of individual experiences, community gatherings, and organizer meetings to show how undocumented immigrant youth activists emphasized the heterogeneity of the movement while also forming coalitions with other movements. Escudero drew on ethnographic participant observation and fifty-one in-depth interviews with undocumented youth activists in San Francisco, Chicago, and New York. The book covers three subgroups within the immigrant rights movement: undocumented Asian activists, undocumented queer activists, and formerly undocumented activists. Each chapter focuses on one of the three subgroups and details how the subgroup shared community knowledge, how they leveraged their intersectional movement identity, and what he observed as high-stakes allyship.   Organizing While Undocumented shows how undocumented immigrants “have organized powerful countermobilizations to resist the stigma of illegality”. Further, Escudero carefully describes how undocumented youth form an oppositional consciousness informed by articulations of nuanced historical narratives and their participation in the immigrant rights movement. Overall, Organizing While Undocumented is in direct conversation with academic discussions of migrant illegality, social movement activism, and intersectionality. This book should be read by scholars interested in those fields as well as activists and allies of the immigrant rights movement.    Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. They are a historian of 20th-century issues of race, labor, (im)migration, surveillance, space, relational Ethnic Studies, and Latinx Studies. Their research focuses on the rise of federally-funded encampments (i.e., the concentration of populations) from the advent of the New Deal until post-WWII era. Their dissertation, “The Age of Encampment: Race, Surveillance, and the Power of Spatial Scripts, 1933-1950” reveals underlying continuities between the presence of threatening bodies and the increasing surveillance of these bodies in camps throughout the United States. Jonathan is currently a Ford Predoctoral Fellow as well as a curatorial assistant at the Smithsonian National Museum of American History. You can follow Jonathan on Twitter @joncortz and on their personal website www.historiancortez.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

This interview coincides with the 70th anniversary of the Korean War, a war that, as Baik reminds us, has not officially ended. How are the particularities of the Korean War, as an unended war, expressed in the lives of survivors and their descendants? This work explores how violence is narrated and framed in the lives and works of diasporic subjects, utilizing the concept of durational memory to attend to how the past prevails in the present. Reencounters: On the Korean War and Diasporic Memory Critique (Temple University Press, 2020) joins a growing list of Asian American and Korean American scholarship that interrogates the impact modern warfare has had on memory, trauma, and healing but does so by engaging with a variety of diasporic works such as oral histories, live performances, media installations, and monuments. Through a close reading of these aesthetic practices and the events surrounding them, Baik offers a new analytic, the process of reencounters, to account for the ways in which the Korean War has transformed the social lives of those within the Korean peninsula and without. Included in this discourse are the powerful works of transnational Korean adoptees and a reevaluation of the politics of Jeju Island, a contested space of colonialism, militarism, and sovereignty. Reencounters provides a new perspective not only on the aftermaths of war but on the diverse states of being that form our understanding of diaspora and diasporic memory. Crystal Mun-hye Baik is an Assistant Professor in the Department of Gender & Sexuality Studies at the University of California, Riverside. Laura Ha Reizman is a PhD candidate in Asian Languages & Cultures at UCLA Learn more about your ad choices. Visit megaphone.fm/adchoices

The modern popularity of acupuncture and herbal medicine belies the long history of Chinese medicine in the U.S. In Herbs and Roots: A History of Chinese Doctors in the American Medical Marketplace (Yale University Press, 2019), Tamara Venit-Shelton (Claremont McKenna College) examines the historical contexts that shaped perceptions of traditional Chinese medicine from the colonial period to the present. Venit-Shelton draws from court records, material culture, census records, oral interviews, and newspapers to uncover the multi-faceted roles that Chinese herbalists played in both Chinese and non-Chinese communities during the “long Progressive Era.” Through self-Orientalizing presentations, these health practitioners enterprisingly navigated, accommodated, and resisted waves of rising xenophobia and medical regulation. After a period of struggle between the 1930s and 1970s when depression and war disrupted supply chains, Chinese medicine made a roaring comeback even as increasing numbers of Chinese Americans trained in Western medicine, leading to the rise of integrative medicine. Herbs and Roots deepens our understanding of histories of medicine and public health, American Orientalism, Asian immigration to the US, and the environment and ideas of nature. Ian Shin is assistant professor of History and American Culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020) Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced. John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at john.weston@aalto.fi and @johnwphd. Learn more about your ad choices. Visit megaphone.fm/adchoices

In One Mighty and Irresistible Tide: The Epic Struggle Over American Immigration, 1924–1965 (W. W. Norton & Company, 2020), Jia Lynn Yang recounts the personalities and debates that brought about the 1965 Immigration and Nationality Act, which forms the foundation for modern U.S. immigration policy. Undoing the xenophobic national origins quotas enshrined in the 1924 Immigration Act required an epic, forty-year struggle against nativist concerns about the economy and national security, as well as racist and anti-Semitic impulses that continue to plague American society today. Drawing on key scholarly monographs as well as her own research in archives like the LBJ Presidential Library and the Library of Congress, Yang’s narrative is full of larger-than-life characters. Some, like Lyndon B. Johnson and John F. Kennedy, will be familiar with readers. Others, like Congressman Emmanuel Celler of New York and Japanese American Citizens League national secretary Mike Masaoka, are well-known but less well understood. By following their negotiations through the halls of Congress and the White House, Yang captures the contingency that shows how difficult and improbable immigration reform was to achieve. Yang concludes by issuing a call for immigrants and their descendants to “articulate a new vision for the current era, one that embraces rather than elides how far America has drifted from its European roots.”. Jia Lynn Yang is the deputy national editor at The New York Times. Ian Shin is assistant professor of History and American Culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices

Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day. The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education. Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia). Adam McNeil is a History PhD student at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pawan Dhingra's new book Hyper Education: Why Good Schools, Good Grades, and Good Behavior Are Not Enough (NYU Press, 2020) is an up-close evaluation of the competitive nature of the United States education system and the extra-curricular and co-curricular activities associated with them. Dhingra reveals the subculture of high-achievement in education and after-school learning centers, spelling bees, and math competitions that have spawned as a result of a competitive markets in higher education and in life. This world is one in which immigrant families compete with Americans to be intellectually high-achieving and expect their children to invest countless hours in studying and testing in order to gain an upper-hand in the believed meritocracy of American public education. This is a world where enrichment centers, like Kumon, are able to capitalize and make profitable gains from parents who enroll their children as early as three years of age. There are even families and teachers who avoid after-school academics that are getting swept up in the competitive nature of this subculture called hyper education. Dr. Dhingra draws from more than 100 in-depth interviews with teachers, tutors, principals, children, and parents for this study. He delves into the narratives that parents of elementary and junior high school provide about this phenomenon and examines the roles played by schools, families, and communities. He moves beyond the “Tiger Mom” caricature that is often given to Asian American and white families who practice hyper education and asks if it makes sense. This book provides a behind-the-scenes look at hyper education from parents who have their children participate in Scripps National Spelling Bee, math competitions, and other national competitions, as well as after school learning centers. Dr. Dhingra shows that parents observe an increasingly competitive market for higher education and perceive good schools, good grades, and good behavior to not be enough for their high-achieving students. Pawan Dhingra, Ph.D. is a Professor of American Studies at Amherst College. Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He earned his doctoral degree in Public Policy and Public Administration from Walden University. He researches place and the process of place making as it is presented in everyday social interactions. You can find more about him on his website, follow him on Twitter @ProfessorJohnst or email him at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pankaj Jain, Dharma in America: A Short History of Hindu-Jain Diaspora (Routledge, 2019) provides a concise history of Hindus and Jains in the Americas over the last two centuries, highlighting contributions to the economic and intellectual growth of the US in particular. Pankaj Jain pays special attention to contributions of the Hindu and Jain diasporas in the area of medicine and music. Listen in to learn about these contributions, along with ongoing challenges faced by these ethnic and religious groups face today. For photos related to the book, see this Facebook page. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction. The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Has can theatre confront racial inequality? In Racial and Ethnic Diversity in the Performing Arts Workforce (Routledge, 2020), Tobie S. Stein, Professor Emerita in the Department of Theater, Brooklyn College, CUNY, analyses the longstanding failure of America’s theatre industry to address issues of diversity. Drawing on interviews with 70 practitioners, as well as a rich and detailed engagement with the structures of the theatre industry and cultural policy, the book makes clear the unequal opportunities and career paths that result from racial inequality. The book also draws on co-authors to reflect historical, institutional, and international perspectives, adding depth and breadth to an already excellently extensive account. It is an essential read across the humanities and social sciences, as well as for anyone interested in arts and culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike. Learn more about your ad choices. Visit megaphone.fm/adchoices

Franny Choi’s book-length collection of poetry, Soft Science (Alice James Books 2019), explores queer, Asian American femininity through the lens of robots, cyborgs, and artificial intelligence. As she notes in this interview, “this book is a study of softness,” exploring feeling, vulnerability, and desire. How can you be tender and still survive in a hard and violent world? What does it mean to have desire when you yourself are made into an object of desire? What does it mean to have a body that bears the weight of history? Choi’s poetry contemplates such questions through the technology of poetic form. “Once, an animal with hands like mine learned to break a seed with two stones – one hard and one soft. Once, a scientist in Britain asked: Can machines think? He built a machine, taught it to read ghosts, and a new kind of ghost was born. At Disneyland, I watched a robot dance the macarena. Everyone clapped, and the clapping, too, was a technology. I once made my mouth a technology of softness. I listened carefully as I drank. I made the tools fuck in my mouth – okay, we can say pickle if it’s easier to hear – until they birthed new ones. What I mean is, I learned.” — from “A Brief History of Cyborgs” by Franny Choi Franny Choi is the author of two poetry collections, Soft Science (from Alice James Books) and Floating, Brilliant, Gone (Write Bloody Publishing), as well as a chapbook, Death by Sex Machine (Sibling Rivalry Press). She is a Kundiman Fellow, a 2019 Ruth Lilly and Dorothy Sargent Rosenberg Fellow, and a graduate of the University of Michigan's Helen Zell Writers Program. She is a Gaius Charles Bolin Fellow at Williams College and co-hosts the podcast VS alongside fellow Dark Noise Collective member Danez Smith. Andrea Blythe is a cohost of the New Books in Poetry podcast. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Find her online at andreablythe.com or on Twitter and Instagram @AndreaBlythe. Learn more about your ad choices. Visit megaphone.fm/adchoices

In our efforts to comprehend the systematic dispossession of indigenous peoples in settler colonies such as the United States, Canada, Australia, or Israel, the notion that "invasion is a structure, not merely an event," first articulated by Patrick Wolfe, has become something of a maxim for critical theorists. Part of this structure, as Patrick Wolfe described it, was a logic of elimination: after all, the settler must eliminate the native in order to secure her claim to the native's territory. But whom does the Native/settler binary exclude? And what do we fail to understand about how settler colonialism functions, as a result? These are just some of the questions to which Iyko Day speaks in her new book, Alien Capital: Asian Racialization and the Logic of Settler Colonial Capitalism (Duke University Press, 2016). Centering Asian racialization in the United States and Canada in relation to Indigenous dispossession and structures of anti-blackness, Day explores how the historical alignment of Asian bodies and labor with capital's abstract and negative dimensions became one of settler colonialism's foundational and defining features. Romantic anti-capitalism, in turn, allowed white settlers to gloss over their complicity with capitalist exploitation. In treating Asian North American cultural production as a transnational genealogy of settler colonialism’s capitalist logic, Day does no less than re-theorize settler colonialism itself: Alien Capital pushes us to consider how settler colonialism functions not within a Native/settler binary, but rather as a dynamic triangulation of Native, settler, and alien positionalities. Listen in for the knitty-gritty. Nancy Ko is a PhD student in History at Columbia University, where she examines Jewish philanthropy and racialization in the late- and post-Ottoman Middle East from a global and comparative perspective. She can be reached at [nancy.ko@columbia.edu]. Learn more about your ad choices. Visit megaphone.fm/adchoices

Overseas Vietnamese are estimated to remit 15 billion dollars annually to family that remains in Vietnam. Ivan V. Small moves beyond the numbers to examine how remittances affect sociality and human relations in his book Currencies of Imagination: Channeling Money and Chasing Mobility in Vietnam (Cornell University Press, 2018). Although remittances flow back to Vietnam with relative ease, bodies have more difficulty migrating and tend to remain in place. This condition reorients the gaze towards overseas horizons and opens up imaginative possibilities for labor, expectations about their own country, and desires for physical mobility. Small tracks remittances in Saigon, small coastal towns, and in Southern California, thus producing a transnational ethnography of monetary flows and relations. He notes remittances’ shifting forms from goods, to money, and charitable contributions. Although remittances are often thought of only through economic terms, Small argues that they contribute to ongoing social transformations at individual and social levels. Ivan V. Small is an Associate Professor in the Department of Anthropology at Central Connecticut State University. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Her research focuses on race, blackness, and visual representation in Brazil. She is on Twitter @ReighanGillam. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you. Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. Going Alt-Ac: A Guide to Alternative Academic Careers (Stylus Publishing, 2020) by Kathryn E. Linder, Kevin Kelly, and Thomas J. Tobin offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that. Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the course of less than a century, the U.S. transformed from a nation that excluded Asians from immigration and citizenship to one that receives more immigrants from Asia than from anywhere else in the world. Yet questions of how that dramatic shift took place have long gone unanswered. In Gates to Asia: A Transpacific History of How America Repealed Asian Exclusion (University of North Carolina Press, 2019), Jane H. Hong unearths the transpacific movement that successfully ended restrictions on Asian immigration. The mid-twentieth century repeal of Asian exclusion, Hong shows, was part of the price of America's postwar empire in Asia. The demands of U.S. empire-building during an era of decolonization created new opportunities for advocates from both the U.S. and Asia to lobby U.S. Congress for repeal. Drawing from sources in the United States, India, and the Philippines, Opening the Gates to Asia charts a movement more than twenty years in the making. Positioning repeal at the intersection of U.S. civil rights struggles and Asian decolonization, Hong raises thorny questions about the meanings of nation, independence, and citizenship on the global stage. This episode is part of a series featuring legal history works from UNC Press. Support for the production of this series was provided by the Versatile Humanists at Duke program. Hong is an assistant professor of history at Occidental College where she specializes in 20th-century U.S. immigration and engagement with the world, with a focus on Asia. Siobhan M. M. Barco, J.D. explores U.S. legal history at Duke University. Learn more about your ad choices. Visit megaphone.fm/adchoices

What stories should we remember, and which ones are we forced to forget? What if we discover a truth from the past that shaped us even though we didn't know it? Maxine Hong Kingston's 1975 masterpiece, The Woman Warrior: Memoirs of a Girlhood Among Ghosts, transformed American literature by adding a voice that had been with us all along yet insufficiently recognized. The book gives expression to the experience of Chinese Americans, which Kingston splices, multiplies and amplifies in five powerful sections of a book that delve into Chinese mythology, the experience of immigrants, and the difficult and tenuous ways of passing stories from generation to generation. In my conversation with professor Ava Chin, author of Eating Wildly: Foraging for Life, Love and the Perfect Meal, who has been teaching The Woman Warrior for many years, we examine how this gripping book of one girl's coming of age teaches us to figure out which parts of us are true to ourselves, and which ones have been imposed on us by others. Uli Baer is a professor at New York University. He is also the host of the excellent podcast "Think About It" Learn more about your ad choices. Visit megaphone.fm/adchoices

Between 1901 and World War II, up to half of all U.S.-born Chinese Americans relocated to China in search of better lives due to the discrimination they faced in the United States. Charlotte Brooks tells the story of these emigres in American Exodus: Second-Generation Chinese Americans in China, 1901–1949 (University of California Press, 2019). Initially, Chinese American dual citizens found unprecedented professional opportunities as merchants and government officials in their ancestral homeland. However, shifting political conditions in China and hardening exclusionary policies in the U.S. narrowed their options in a world where they were considered neither Chinese nor American enough to receive the protection or respect of their governments. Faced with these constraints at a time of global depression and war, Chinese Americans made agonizing choices that led them down surprising paths—including, in some cases, as collaborators during the Japanese occupation of China. American Exodus challenges well-worn mythologies in the U.S. of upward mobility for immigrants, as well as celebratory and nationalist narratives in China about the overseas Chinese. Ian Shin is assistant professor of History and American Culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices

We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them. However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas. In How Charts Lie: Getting Smarter about Visual Information (W. W. Norton, 2019), data visualization expert Alberto Cairo teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, How Charts Lie demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world. Learn more about your ad choices. Visit megaphone.fm/adchoices

As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it. How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in. Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Perla Guerrero is the author of Nuevo South: Asians, Latinas/os, and the Remaking of Place (University of Texas Press, 2017). Nuevo South explores the history of an ever diversifying U.S. South by examining the mixed reactions refugees, immigrants, and migrants, from different countries, received in Arkansas in the latter half of the 20th century. Comparing the experiences of Vietnamese, Cuban, and Mexican refugees and migrants, Guerrero demonstrates why we need a more nuanced understanding of how these groups, and others, changed the face of the South and its many regional racial thinking. Perla Guerrero is an Associate Professor of American Studies at the University of Maryland – College Park. Guerrero studies race and ethnicity, with a focus on Latinas/os/xs and Asian Americans, space and place, immigration, labor, U.S. history, and the U.S. South specifically. Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Learn more about your ad choices. Visit megaphone.fm/adchoices

The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all. Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

World War II played an important role in the trajectory of race and American political development, but the War's effects were much more complex than many assume. In order to unpack these complexities and mine underutilized sources of public opinion data, Steven White had written World War II and American Racial Politics: Public Opinion, the Presidency, and Civil Rights Advocacy (Cambridge University Press, 2019). White is an assistant professor of political science at Syracuse University. White offers an extensive analysis of rarely used survey data and archival evidence to assess white racial attitudes and the White house response to civil rights. Intriguingly, he shows that the white public's racial policy opinions largely DID NOT liberalize during the war against Nazi Germany and Congress remained unwilling to act on a civil rights policy agenda. Painfully aware of this, civil rights advocates shifted venues to lobby for unilateral action by the president. This book offers a reinterpretation of this critical period in American political development, as well as implications for the theoretical relationship between war and the inclusion of marginalized groups in democratic societies. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Poetry gave me back a way to find my culture, my history,” says Jason Bayani while discussion his new book Locus (Omnidawn Publishing 2019), which blends memoir and poetry into a stunning exploration of fragmented identities and the Pilipinx-American experience. Drawing inspiration from hip-hop and delving into the knotted complexity of family history and relationships, Bayani is able to recover a migrant identity and experience that is often silenced and shape a confident declaration of selfhood in American culture. In my grandfather’s last days He wandered the rice fields alone. What was left of his mind bringing him back to what he spent his entire life building. We are the land—lupa ay buhay, land is living. When my father talks of his poverty, he presents a bowl of rice and says, ‘Your Inang would put one piece of fish on the table, and we would press our fingers against it for flavor.’ Mimicking his hand scooping rice out of the bowl. — fragment from “The Low Lands” Bayani’s recommended poets and artists from the podcast: Microchips for Millions by Janice Sapigao, This is for the Mostless by Jason Magabo Perez, Souvenir by Aimee Suzara, Circa 91 by Ruby Ibarra, Patron Saints of Nothing by Randy Ribay,  Insurrecto by Gina Apostol, and Anak Ko by Jay Som. Jason Bayani is an MFA graduate from Saint Mary's College, a Kundiman fellow, and works as the artistic director for the Kearny Street Workshop, the oldest multi-disciplinary Asian Pacific American arts organization in the country. His publishing credits include World Literature Today, Muzzle Magazine, and Lantern Review, among others. Jason performs regularly around the country and debuted his solo theater show "Locus of Control" in 2016 with theatrical runs in San Francisco, New York, and Austin. You can join New Books in Poetry in a discussion of this episode on Shuffle by joining here. Andrea Blythe bides her time waiting for the apocalypse by writing speculative poetry and fiction. She is the author of Your Molten Heart / A Seed to Hatch (2018) a collection of erasure poems created from the pages of Trader Joe’s Fearless Flyers, and coauthor of Every Girl Becomes the Wolf (Finishing Line Press, 2018), a collaborative chapbook written with Laura Madeline Wiseman. She is a cohost of the New Books in Poetry podcast and is a member of the Science Fiction and Fantasy Poetry Association and the Horror Writers Association. Learn more at:www.andreablythe.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Tehama Lopez Bunyasi and Candis Watts Smith have written an accessible and important book about the #BlackLivesMatter social movement and broader considerations of, essentially, how we got to where we are, in the United States, in regard to race and racism. They also go on to suggest and encourage readers and citizens to move towards a more equal and better future. Stay Woke: A People’s Guide to Making All Black Lives Matter (NYU Press, 2019) compiles social science research and data to explain the current situation for white citizens, African-American citizens, Latinx citizens, and citizens of other races in the United States. By laying out, in facts and figures, the very different experiences and daily lives of citizens, Lopez Bunyasi and Watts Smith demonstrate not only the way many individuals live profoundly separate and different lives in the United States, but also to show the many ways in which we, as Americans, speak past each other when we are talking about the fraught issue of race, racism, and racial inequality. Stay Woke provides substantial social science data to buttress the discussion and analysis of race and racism in the United States, and it also has an excellent chapter that provides definitions, context, and understanding of so many of the terms that are used, and often differently conceptualized, by citizens in thinking about race, inequality, and social and political dynamics. The authors also examine the history around structural racism and racial inequality. At the end of each chapter Lopez Bunyasi and Watts Smith also include other resources that contributed to their research and that extends the substance of each chapter—the resources include podcast, films, documentaries, television shows, websites, books and articles. These resources along with the questions provided for discussion and debate help readers and students think about what they are learning from each section of the book. The final part of the book provides more options for activism while positioning these actions within the American federal system. This book can be used in classes across a variety of disciplines; it is also a text that is accessible and of interest to any citizen who might want to learn more and work towards a better future. Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Unsustainable Empire: Alternative Histories of Hawai‘i Statehood (Duke University Press, 2018), Dean Itsuji Saranillio offers a bold challenge to conventional understandings of Hawai‘i’s admission as a U.S. state. Hawai‘i statehood is popularly remembered as a civil rights victory against racist claims that Hawai‘i was undeserving of statehood because it was a largely non-white territory. Yet Native Hawaiian opposition to statehood has been all but forgotten. Saranillio tracks these disparate stories by marshaling a variety of unexpected genres and archives: exhibits at world's fairs, political cartoons, propaganda films, a multimillion-dollar hoax on Hawai‘i’s tourism industry, water struggles, and stories of hauntings, among others. Saranillio shows that statehood was neither the expansion of U.S. democracy nor a strong nation swallowing a weak and feeble island nation, but the result of a U.S. nation whose economy was unsustainable without enacting a more aggressive policy of imperialism. With clarity and persuasive force about historically and ethically complex issues, Unsustainable Empire provides a more complicated understanding of Hawai‘i’s admission as the fiftieth state and why Native Hawaiian place-based alternatives to U.S. empire are urgently needed. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Gateway to the Pacific: Japanese Americans and the Remaking of San Francisco (University of Chicago Press, 2019), Meredith Oda shows how city leaders and local residents in San Francisco fashioned a postwar municipal identity through their promotion of what Oda calls transpacific urbanism. Though the Japanese American presence in prewar San Francisco had been minor, it boomed as Japan came into vogue during the early Cold War. The Japanese Cultural and Trade Center was the apotheosis of urban redevelopment to attract Japanese capital and sell Japanese culture. Oda traces the conflicts and collaborations between a diverse set of stakeholders, including municipal planning officials, local merchant-planners, Japanese American professionals, Japanese-Hawaiian bankers, and African American neighborhood organizers. San Francisco’s rise as a major business and cultural hub in the postwar Pacific World benefited the Japanese Americans who called the city home even as it reinscribed their status as perpetual foreigners in American life. Ian Shin is assistant professor of History and American Culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Migrant Futures: Decolonizing Speculation in Financial Times (Duke UP, 2018), Aimee Bahng traces the cultural production of futurity by juxtaposing the practices of speculative finance against those of speculative fiction. While financial speculation creates a future based on predicting and mitigating risk for wealthy elites, the wide range of speculative novels, comics, films, and narratives Bahng examines imagines alternative futures that envision the multiple possibilities that exist beyond capital’s reach. Whether presenting new spatial futures of the US-Mexico borderlands or inventing forms of kinship in Singapore in order to survive in an economy designed for the few, the varied texts Bahng analyzes illuminate how the futurity of speculative finance is experienced by those who find themselves mired in it. At the same time these displaced, undocumented, unbanked, and disavowed characters imagine alternative visions of the future that offer ways to bring forth new political economies, social structures, and subjectivities that exceed the framework of capitalism. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Postcolonial Grief: The Afterlives of the Pacific Wars in the Americas (Duke University Press, 2019), Jinah Kim explores questions of loss, memory, and redress in post WWII Asian diasporic decolonial politics. Through a close analysis of seminal cultural works that range from theory, short stories, film noir, documentaries, plays, and novels, Kim makes legible how Korean and Japanese diasporic communities have experienced U.S. militarism and Japanese colonialism. The concept of melancholia, defined as an unending state of mourning, along with the notion of “dread forwarding,” in which a new trauma can trigger an older one, inducing both a flashback but also a flash forward, is crucial to her reading. This concise yet rich work addresses the question of collective pain brought on by postcolonial loss and trauma. Kim puts geographical, cultural, and temporal spaces in conversation with one another, illuminating the ways in which Asian diasporic communities have negotiated their colonial histories. Laura Ha Reizman is a PhD candidate in Asian Languages & Cultures at UCLA Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Collisions at the Crossroads: How Place and Mobility Make Race (University of California Press, 2019), Professor Genevieve Carpio considers tensions around mobility and settlement in the 19th- and 20th-century American West, especially California’s Inland Empire. In this wide-ranging study, the first academic work to draw on the Inland Mexican Heritage archives, Carpio examines policies and forces as disparate as bicycle ordinances, immigration policy, incarceration, traffic checkpoints, and Route 66 heritage. She shows how regional authorities constructed racial hierarchies by allowing some people to move freely while placing limits on the mobility of others. Highlighting the ways that people of color have negotiated and resisted their positions within these systems, Carpio offers a compelling and original analysis of race through spatial mobility and the making of place. Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment (Cornell University Press, 2011). Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email clane@fullerton.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Worldmaking: Race, Performance, and the Work of Creativity (Duke University Press 2018), Dorinne Kondo brings together critical race studies, affect theory, psychoanalysis and her critically keen awareness of the politics and potential of theatre production and reception to ask how theatre ‘makes, unmakes and remakes’ race. Building on over 20 years of experience as an ethnographer, dramaturg and playwriter, Kondo exposes the racial structures that are mutually constitutive of the theatre specifically, and the arts more generally. So doing, she attends to the economic forces and representational practices that have not only enabled the affective violence through which the theatre so often operates; she also draws attention to how these forces and practices can produce the grounds for theatre’s restorative and transformative potential. Dorinne Kondo is Professor of American Studies and Ethnicity and Anthropology at the University of Southern California. Her research focuses on cultural theory, performance, aesthetics and politics, cross-racial identification/ multiracial collaboration, modes of embodiment, ethnography and genre, the integration of "creative" and "critical" writing. She is also the author of About Face: Performing Race in Fashion and Theater, and Crafting Selves: Power, Gender, and Discourses of Identity in a Japanese Workplace. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric and Communication at the State University of New York at Geneseo--Dr. Anne Cheng (she/hers)--Professor of English and Director of the Program in American Studies at Princeton University--to discuss an almost revolutionary work of theory and critique: Ornamentalism (Oxford University Press, 2019). Ornamentalism offers arguably the first sustained theory of the yellow woman and, beyond that, a nuanced reflection on the way in which women of color are subjects-turned-into-things but that not every woman of color becomes-thing in the same way. Cheng insists on the term ornamentalism as both a lever of critique and of emancipation, resisting the easy distinction between person/thing and skin/substance to investigate how a theory of radical style offers ontological possibilities for thriving among injury. Learn more about your ad choices. Visit megaphone.fm/adchoices

Assisted Reproductive Technologies (ARTs) such as in vitro fertilization and surrogacy have been critically examined within philosophy, particularly by feminists and bioethicists, but the role of race—both in how the technologies are used and in the effects that they are having—has received less attention.  In The Assisted Reproduction of Race (Indiana University Press, 2018), Camisha Russell undertakes this critical analysis.  While there is a robust scientific consensus that there is no meaningful genetic basis for race, Russell’s analysis of the role of race in ARTs reveals that when it comes to producing kinship, race is still doing a great deal of work. Further, by arguing that race itself is a technology, Russell shows how race is both produced and productive, historically, as well as in everyday practices, techniques, and choices.  While this analysis focuses on what race does in the contemporary realm of ARTS, it illuminates the role of race, in the past and now, in constructing social reality. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Returns of War: South Vietnam and the Price of Refugee Memory (New York University Press, 2018), Long T. Bui examines the complicated relationship between the Vietnamese diasporic community and its home country, the former South Vietnam. Central to Bui’s argument is his use of Richard Nixon’s definition of Vietnamization as a way to frame the postwar afterlives of South Vietnamese refugees, their descendants, and those remaining in Vietnam today. While Nixon used this term as a military strategy to pull the U.S. military out of Vietnam, Vietnamization for Bui is a way to highlight how this Cold War term continues to function as an ideology and a discourse in the Vietnamese American community. Bui utilizes an interdisciplinary approach that includes discourse analysis, interviews, archival research, and personal narrative, in tackling questions of memory, loss, national identity, sovereignty, and agency. This book is both a critical investigation and a tribute to the refugee community that is a legacy of the Vietnam War. Laura Ha Reizman is a PhD candidate in Asian Languages & Cultures at UCLA. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does anti-imperialism look like from the vantage point of North America? In Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad(University of California Press, 2019), Manu Karuka (Barnard College) answers this question by reinterpreting the significance of the transcontinental railroad from the perspectives of Chinese workers and Indigenous peoples—in particular the Paiute, Lakota, Pawnee, and Cheyenne. Karuka proposes three new concepts—counter-sovereignty, continental imperialism, and modes of relationship— for our understanding of this history. The interdisciplinary scholarship of Empire’s Tracks engages with writers ranging from W.E.B. Du Bois to Frederick Jackson Turner to Ella Deloria, and draws also from legal, legislative, military, and business records. Ultimately, Karuka gives the lie to exceptionalist narratives of the United States by showing how its transportation infrastructure, like those around the world, emerged violently at the nexus of war and finance. Ian Shin is assistant professor of History and American Culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her original and thought-provoking book Ornamentalism (Oxford University Press, 2019), Anne A. Cheng illustrates the longstanding relationship between the ‘oriental’ and the ‘ornamental’. So doing, she moves beyond a simple analysis of objectification to reveal the powerful role Ornamentalism plays in constituting modern ideas of personhood, racialized femininity and the figure of the Asian woman. Drawing on examples from the realms of law, popular culture and art from the 19th and 20th centuries, Cheng deepens our understanding of racial formation by demonstrating how race and gender are conceived not only in relation to the body, but inorganic ornamentation as well. Anne A. Cheng is Professor of English and Director of American Studies at Princeton University. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology from Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, I talked with Ali Michael on her award-winning book, Raising Race Questions: Whiteness and Inquiry in Education (Teachers College Press, 2015). According to a 2014 report by the National Center for Education Statistics, white teachers comprise over 85% of the K-12 teaching force in the United States, whereas as of 2011, 52% of the public school students were white students, 16% black students, 24% Hispanic students, 5% Asian and Pacific Islander students, and 1% American India or Alaska Native students. In many urban areas, white teachers are teaching classes in which a majority of the students are non-white. In such a context, how is the issue of race addressed in American schools? How do white teachers connect to their students of color? Or simply, is it necessary to raise race questions? In Raising Race Questions, Ali Michael worked with a group of white teachers to inquire about race and schooling. She has masterfully shown to us, how teachers can become more racially competent through asking difficult questions, building inquiry groups, and working on personal and interpersonal reflection. The book offers four guiding principles for teachers to inquire about race and racism: (1) the inquiry aims to make teachers and classrooms more whole than creating fractures; (2) teachers’ and students’ positive racial identity matter; (3) a multicultural curriculum is not sufficient for building an antiracist classroom; (4) racial competence can be learned. These principles are inspiring and helpful for not only teachers, but also all the citizens who care about the issues of equity, inclusion, and social justice. Raising Race Questions won the 2017 Society of Professors of Education Outstanding Book Award. Its author, Ali Michael is the co-founder and director of the Race Institute for K-12 Educators. Other than this book, Dr. Michael also published regularly on popular and professional media such as the Huffington Post and Independent Schools Magazine. Pengfei Zhao holds a doctoral degree in Inquiry Methodology from Indiana University-Bloomington. Among her research interests are qualitative research methodology, youth culture, identity formation, and comparative sociological and educational studies. She is currently working on a book manuscript studying the coming of age experience of rural Chinese youth during and right after the Cultural Revolution. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, American Dharma: Buddhism Beyond Modernity (Yale University Press, 2019), Ann Gleig makes a major contribution to scholarship on American Buddhism. Gleig focuses on meditation-based convert Buddhist lineages in North America, and in particular she is interested in the generational changes underway in these groups. The first generations of convert Buddhist teachers often modernized the tradition in distinctly American ways, and now Gen X and millennial Buddhists are re-engaging with the tradition but bringing to their Buddhist practice and teaching new questions. The issues that they—and Gleig, in her study—tackle include mindfulness as a secular and commercialized practice, sex scandals, and new technologies. These Buddhists ask how their communities should address racism and social injustice, and what the goal of practice should be. Gleig sets her fine-grained ethnographic research within a larger discussion of Buddhist modernism, arguing that the convert Buddhism is better understood through the lens of post-modernity. Natasha Heller is an Associate Professor in the Department of Religious Studies at the University of Virginia. You can find her on Twitter @nheller or email her at nheller@virginia.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

The story of popular entertainment in American immigrant communities is only just beginning to be told. Chinatown Opera Theater in North America by Nancy Yunhwa Rao from University of Illinois Press (2017) addresses the history of Cantonese Opera performed in Chinatowns in cities across North America with a primary focus on San Francisco, New York City, and Vancouver during the 1920s. Using a wealth of archival material, including extensive records from the U.S. Immigration Service, Rao provides an enormous amount of information about the theaters, companies, performers, and repertoire of this operatic genre. She contextualizes the performance of Cantonese Opera within the cultural life of Chinese communities, explains the print materials and recordings that circulated the music, and details the significant impact that exclusionary governmental immigration policies had on this theatrical tradition and Chinese immigrants in Canada and the United States. Rao’s book not only offers information about this performance tradition that has never been published before, it also provides a model for the kind of work that still needs to be done on musical and theatrical entertainment in many other ethnic communities in North America. Chinatown Opera Theater in North America has been awarded the 2019 Association for Asian-American Studies Performance and Media Studies Book Award, the Irving Lowens Book Award from the Society for American Music for the best book published in 2017, and the 2018 Music in American Culture Award from the American Musicological Society. Nancy Yunhwa Rao is a professor of music at Rutgers University where she is the Head of Music Theory. One of the leading scholars in the study of Chinese American music, her work has appeared in many journals including the Cambridge Opera Journal, the Journal of the Society for American Music, and Music Theory Spectrum. She has received an NEH Research Fellowship and ACLS Scholar in China Fellowship to support her work on the intersections between China and the West, particularly in contemporary Chinese music. In 2007, she won the Irving Lowens Article Award from the Society for American Music for an essay on the music of Ruth Crawford Seeger. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge. You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/ Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Invention of Race in the European Middle Ages (Cambridge University Press 2018), Geraldine Heng collects a remarkable array of medieval approaches to race that show the breadth and depth of the kinds of racial thinking in medieval society. In creating a detailed impression of the medieval race-making that would be reconfigured into the biological racism of the modern era, The Invention of Race in the European Middle Ages reaches beyond medievalists and race-studies scholars to anyone interested in the long history of race. Throughout the study, Heng treats race-making as a repeating tendency to demarcate human beings through differences that are selectively essentialized as absolute and fundamental. Thus constituted, these categories are then used to guide the differential apportioning of power. Scholars working in critical race studies have clearly demonstrated that culture predisposes notions of race. The Invention of Race in the European Middle Ages reaffirms that insight by examining the era before the dominance of biological discourses. Race has always been about strategically creating a hierarchy of peoples for differential treatment. By exploring race in the European middle ages, Heng lays bare the skeleton of racial thinking as a sorting mechanism, a structural relationship for the management of human differences. In Heng's hands, the tools of critical race studies make it possible to name the systems and atrocities of the Middle Ages for what they were, revealing race-making before the modern vocabulary of race coalesced. Bringing together a group of specialized archives that aren't usually in conversation, Heng in many cases allows the medieval past to powerfully testify to the pre-modern history of race-formation, racial administration, and racist exploitation and oppression. Beginning with the violent and sweeping anti-Semitism of thirteenth century England, showing the ways that Jews became the template by which other races were measured, The Invention of Race in the European Middle Ages launches a careful exposure of the way that minority groups were (and are) manipulated to create the sense of a national majority. A short but potent comparison to the English treatment of Irish subjects drives the analysis home. A researcher, writer, editor, and educator, Carl Nellis digs in archives and academic libraries for the critically-acclaimed Lore Podcast and as research lead for Unobscured Podcast. Studies on both sides of the Atlantic left him chasing the tangled colonial history that threads the culture of the Middle Ages into today’s United States. Learn more about your ad choices. Visit megaphone.fm/adchoices

In American Sutra:  A story of Faith and Freedom in the Second World War (Harvard University Press, 2019), Duncan Ryūken Williams recenters the role of faith in the Japanese-American experience in WWII by showing how religious differences underlay the injustices that they suffered before, during, and after the war. American Sutra is also an inspiring account of how Japanese-Americans embodied faith, ingenuity and sacrifice in the face of great adversity. At a time when the religious dimensions of American identity are being contested, American Sutra is a timely book about how Japanese-Americans forged, with their blood, sweat and tears, a space in American identity where it’s possible to be Japanese, Buddhist and American.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Debra Thompson, in her award-winning* book The Schematic State: Race, Transnationalism, and the Politics of the Census (Cambridge University Press, 2016), explores the complexities of the politics of the census. This book, which unpacks the census itself, leads the reader to consider how this mundane tool actually translates the abstraction of the state into a concrete entity, and, at the same time, how this tool has been and is used in contradictory ways in regard to the issue of race. Thompson, in exploring the census, contextualizes her analysis within three case studies: the United States, Canada, and the United Kingdom. She examines these cases over the course of more than 200 years of history and data, and she traces the shifts and changes in terms of racial categorization on the census, noting the fluid nature of understandings of race as applied to the citizen body in each of these countries, and how race was made legible by the census. The Schematic State also digs into the state, how it makes use of the data that is gleaned from the census, and what these uses suggest in terms of the instrument of the census. This book will be of interest to a variety of scholars and lay people, since the text and the research knit together different fields within and beyond political science, including comparative politics, critical race studies, critical legal studies, political theory, public policy, institutional political development, and statistical studies. *Winner, 2017 Race and Comparative Politics Best Book Award, Race, Ethnicity and Politics Section, American Political Science Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Mandarin Brazil: Race, Representation, and Memory (Stanford University Press, 2018), Ana Paulina Lee (Columbia University) analyzes representations of the Chinese in Brazilian culture to understand their significance for Brazilian nation-building in the 19th and early 20th centuries. Lee has assembled a multidisciplinary archive encompassing literature, visual culture, theater, popular music, and diplomatic correspondence. Although their numbers in Brazil were not as large as immigration from Japan, the Chinese were nevertheless portrayed as non-white, sexually deviant, and unfree labor—in sum, a threat to dominant ideologies of branqueamento (racial whitening) and mestiço nationalism. Attentive to events and perspectives on both sides of the Pacific Ocean, Lee makes a distinctive contribution to the growing literature on Asian American history and cultural studies beyond North America and the Caribbean. Ian Shin is an assistant professor of American culture at the University of Michigan. Learn more about your ad choices. Visit megaphone.fm/adchoices

2018 has been a great year for books about sub-national government in the United States. The year ends with another to add to the list. Jessica Trounstine has written Segregation by Design: Local Politics and Inequality in American Cities(Cambridge University Press, 2018). Trounstine is associate professor of political science at the University of California, Merced. Segregation by Design draws on a century of data from thousands of American cities to explore how local governments design policies that create race and class segregation. Trounstine maps the historical development of segregation and the ways that suburbanization has fit with patterns of residential segregation. Zoning laws and public goods have been used to advance the goal of some residents for racially segregated neighborhoods. She argues that local governments have pursued these policies to enhance the wealth and resources of white property owners at the expense of people of color and the poor. Learn more about your ad choices. Visit megaphone.fm/adchoices

The process of colonialism seeks to demean Indigenous intellect and destroy Indigenous literary traditions. Reconstructing those legacies is thus an act of anti-colonial resistance. This is the impetus behind Noenoe K. Silva’s The Power of the Steel-Tipped Pen: Reconstructing Native Hawaiian Intellectual History (Duke University Press, 2017). Silva, Professor of Indigenous Politics at the University of Hawai’i-Manoa, focuses on two writers from Hawai’i’s tumultuous late nineteenth and early twentieth century past. Joseph Poepoe and Joseph Kanepu’u both wrote extensively in Hawaiian language newspapers at a time when American colonial officials worked hard to stamp out the Hawaiian language. Their writing thus constitutes a rare archive of Native Hawaiian language, narrative forms such as mo’olelo, and concepts such as ‘aina. The Power of the Steel-Tipped Pen is an argument against settler colonial power structures and an insistent reminder that Native societies across the world have intellectual histories of their own. Learn more about your ad choices. Visit megaphone.fm/adchoices

McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with! Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here. Learn more about your ad choices. Visit megaphone.fm/adchoices

The history of Japanese American incarceration during World War II is a well-known topic in American history and has been the subject of countess books and articles. In Nature Behind Barbed Wire: An Environmental History of the Japanese American Incarceration (Oxford University Press, 2018), Connie Chiang reveals hidden layers of the experiences of Japanese Americans interned by their government during the 1940s. Chiang, a professor of history and environmental studies at Bowdoin College, argues that the non-human environment mediated every facet of the detainees lives from their labor to their recreation to the feelings of isolation and despondency they felt. Many of the thousands forcibly removed to incarceration camps had moved from the verdant Pacific coast to the stark deserts and mountains of the interior West. This movement from one climate to another profoundly influenced the meaning and experience of incarceration and provoked emotions ranging from sadness and betrayal to resilience and even occasional joy. Chiang’s book is an excellent reminder of environmental history’s power to reveal new stories about old histories. Learn more about your ad choices. Visit megaphone.fm/adchoices

Surprising to many, white Evangelicals voted for Donald Trump in the 2016 election at a higher rate than any candidate in the previous four presidential elections. At the same time, the Evangelical community is changing, becoming more racially and ethnically diverse. How will this new diversity change Evangelical politics, if at all? Such is the focus of Janelle Wong’s new book, Immigrants, Evangelicals, and Politics in an Era of Demographic Change (Russell Sage Foundation, 2018). Using a variety of survey data and original interviews, Wong shows that non-white Evangelicals are not nearly as conservative as their white Evangelical counterparts, yet they are more conservative on many issues than their racial and ethnic compatriots. The findings from the book contribute to studies of religion and politics as well as the study of immigrant and ethnic politics. Wong is professor of American Studies and Asian American studies at the University of Maryland, College Park. This podcast was hosted by Heath Brown, Assistant Professor of Public Policy, John Jay College and the Graduate Center at the City University of New York. You can follow him on Twitter @heathbrown. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jan M. Padios‘ new book A Nation on the Line: Call Centers as Postcolonial Predicaments in the Philippines (Duke University Press, ) sheds light on the industry of offshore call centers in the Philippines, and attempts to understand the narratives cast upon call center workers as laborers whose main resource is their ability to relate to their Western-and specifically American-clientele. What does it mean when we see relatability as a national resource? How are Filipino workers reshaped by this seemingly benevolent industry? Dr. Padios attempts to tackle these questions through years of transnational research involving interviews and participation, and through understanding call center work within a longer history of American colonization and neoliberal policies that have shaped the contemporary Philippines.    Christopher B. Patterson teaches at the University of British Columbia, Social Justice Institute. He is the author of Transitive Cultures: Anglophone Literature of the Transpacific and Stamped: an anti-travel novel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked with Kawika Guillermo, a creative scholar and Assistant Professor at the University of British Columbia’s Social Justice Institute. His book Stamped: An Anti-Travel Novel (Westphalia Press, 2018) describes Skyler Faralan’s travels to Southeast Asia with $500 and a death wish. After months of wandering, he crosses paths with other dejected travelers: a short-fused NGO worker called Sophea; Arthur, a brazen expat abandoned by his wife and son; and Winston, an intellectual exile. Bound by pleasure-fueled self-destruction, the group flounders from one Asian city to another, confronting the mixture of grief, betrayal, and discrimination that caused them to travel in the first place. Stamped will appeal to progressive-minded readers of literary fiction and travel writing, especially those with an interest in Asia or the Asian American experience.  Melody Yunzi Li is an Assistant Professor at University of Houston. She holds a PhD in Comparative Literature at Washington University in St. Louis, an MPhil degree in Translation Studies in the School of Chinese, the University of Hong Kong, and a BA in English/Translation Studies at Sun Yat-sen University in China. Her research interests include Asian diaspora literature, modern Chinese literature and culture, migration Studies, translation studies and cultural identities. Her current project focuses on Chinese diasporic literature from the 1960s to the present. She has published in various journals including Pacific Coast Philology, Telos and others. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lily Wong‘s Transpacific Attachments: Sex Work, Media Networks, and Affective Histories of Chineseness (Columbia University Press, 2018) traces the genealogy of the Chinese sex worker as a figure who manifests throughout the 20th century in moments of anti-Asian racism as well as moments of sexism and nationalism within Chinese communities. Yet for Wong, the tensions and visibility of this figure also allows alternative and alternating forms of solidarity rooted in stepping back from ideologies of nation, race and gender. The sex worker thus allows us to see Chineseness and other forms of collectivity as an affective product, an attachment that mobilizes our emotions and frames how we see others as well as ourselves. By charting representations of the Chinese sex worker through histories of Pacific Crossing, Cold War era ideologies, and contemporary globalization, Wong’s book shows the multiple ways that sex work and prostitution have unsettled forms of collectivity, while providing new spaces for dwelling. Christopher B. Patterson teaches at the University of British Columbia, Social Justice Institute. He is the author of Transitive Cultures: Anglophone Literature of the Transpacific and Stamped: an anti-travel novel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Valerie Francisco-Menchavez‘s new book, The Labor of Care: Filipina Migrants and Transnational Families in the Digital Age (University of Illinois Press, 2018) traces how globalization, neoliberalism and new technology have reshaped migrant care work from the Philippines. The book is the result of five years of research interviewing migrant women and participating in their communities, as well as intermittent trips to the Philippines where Dr. Francisco-Menchavez spent time speaking with the families and extended families of migrant workers. Her book attempts to redefine notions of care and overseas employment that focus solely on the worker’s labor, and rather to understand a form of what she calls “multidirectional care,” which describes the ways in which “transnational family members activate multiple resources, people, and networks to redefine care work in the family” (23). Dr. Francisco-Menchavez explores this larger network of care to understand how migrant work affects gender roles and creates new solidarities. Christopher B. Patterson teaches at the University of British Columbia, Social Justice Institute. He is the author of Transitive Cultures: Anglophone Literature of the Transpacific and Stamped: an anti-travel novel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Queering Contemporary Asian American Art (University of Washington Press, 2017), Laura Kina and Jan Christian Bernabe gather artists and scholars whose work disrupts, challenges, and reimagines ways of being Asian and Asian American. Through nine original artist interviews and seven critical essays, the editors showcase contemporary artists who queer our conceptions of surveillance, affect, mixed race, and Asian America itself. In doing so, the editors remain interested in the queer disturbances within artworks that respond to racism and state violence, while also forming solidarities based on critical understandings of shared oppression. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1974, a two-year old Korean girl named Mi Jin Kim was sent from the country and culture of her birth to the United States, where she was adopted by a man and woman who would become her American parents and where she would become the artist and writer Mary-Kim Arnold. Her new book, Litany for the Long Moment (Essay Press, 2018), is her attempt to grapple with that history and its aftermath, to understand the experience of that girl she once was and how that girl shaped the woman she would become. Arnold writes: “I will never know for certain what transpired in those first two years of my life. I only know that I am continually drawn back, tethered to the whispy, blurred possibilities of the mother I will never know, a language I do not speak, the life I will never have.” Through a dazzling range of literary strategies, from the use of archival documents and family photographs to primers on the Korean language and the work of her fellow Korean-American artists, Arnold explores these wispy, blurred possibilities. She takes us into her need to know this never-realized self and this life she never lived. By stunning and poignant turns, her book reveals the complexities of the lives we do end up living, the hauntings that make us who we are, and the unexpected way in which great art and artists pull us apart and pieces us back together. And the book has an excellent trailer, which you can find here. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Two Faces of Exclusion: The Untold History of Anti-Asian Racism in the United States (University of North Carolina Press, 2016), Lon Kurashige emphasizes the contingencies that shaped the history of Asian restriction and exclusion in the United States from the 1840s to the 1980s. Two Faces of Exclusion answers the question, posed by another scholar, of why Asian exclusion took so long to achieve and was so uneven if racism was so total and overwhelming. Kurashige proposes that we think about anti-Asian racism as the result of a “perfect storm” that required the convergence of several vulnerabilities—most important among them the inability of Asians to become U.S. citizens—with fears about political, economic, and social contamination by Asians. Contesting the ebbs and flows of this storm were two camps that Kurashige calls the “exclusionists” and the “egalitarians,” which themselves evolved over time. Like other recent cutting-edge scholarship in the field of Asian American history, Two Faces of Exclusion follows these threads internationally and shows how American lives and careers abroad in many cases influenced their support for egalitarianism at home. Kurashige’s use of quantitative data about congressional roll call votes and precinct-level voting patterns will interest fans of historical methods, and adds fresh insights to a story that many may think they already know. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Discriminating Sex: White Leisure and the Making of the American ‘Oriental’ (University of Illinois Press, 2018), Amy Sueyoshi argues that Americans did not always regard Chinese and Japanese in the U.S. as pan-ethnic “Orientals” in ways that are familiar to Asian Americans today. Rather, this conflation occurred against a backdrop of troubling stereotypes that enabled white Americans in turn-of-the-century San Francisco to explore changing ideas and practices of gender and sexuality. Sueyoshi uses a wide variety of sources including newspapers and magazines, morgue and court records, novels, plays, and oral history to reconstitute differing images of Chinese and Japanese American men and women, while at the same showing that their lives defied these misrepresentations. In this conversation, Sueyoshi shares insights from Discriminating Sex, and talks about her journey through academia and activism in pursuit of equity for queer Asian Americans both on and off the page. Ian Shin is C3-Mellon Postdoctoral Fellow and Lecturer in the History Department at Bates College, where his teaching and research focus on the history of the U.S. in the world and Asian American history. He is currently completing a book manuscript on the politics of Chinese art collecting in the United States in the early 20th century. Ian welcomes listener questions and feedback at kshin@bates.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

The American West erupted in anti-Chinese violence in 1885. Following the massacre of Chinese miners in Wyoming Territory, communities throughout California and the Pacific Northwest harassed, assaulted, and expelled thousands of Chinese immigrants. In The Chinese Must Go: Violence, Exclusion, and the Making of the Alien in America (Harvard University Press, 2018). Beth Lew-Williams shows how American immigration policies incited this violence and how the violence, in turn, provoked new exclusionary policies. Ultimately, Lew-Williams argues, Chinese expulsion and exclusion produced the concept of the “alien” in modern America. The Chinese Must Go begins in the 1850s, before federal border control established strict divisions between citizens and aliens. Across decades of felling trees and laying tracks in the American West, Chinese workers faced escalating racial conflict and unrest. In response, Congress passed the Chinese Restriction Act of 1882 and made its first attempt to bar immigrants based on race and class. When this unprecedented experiment in federal border control failed to slow Chinese migration, vigilantes attempted to take the matter into their own hands. Fearing the spread of mob violence, U.S. policymakers redoubled their efforts to keep the Chinese out, overhauling U.S. immigration law and transforming diplomatic relations with China. By locating the origins of the modern American alien in this violent era, Lew-Williams recasts the significance of Chinese exclusion in U.S. history. As The Chinese Must Go makes clear, anti-Chinese law and violence continues to have consequences for today’s immigrants. The present resurgence of xenophobia builds mightily upon past fears of the “heathen Chinaman.” Lori A. Flores is an Associate Professor of History at Stony Brook University (SUNY) and the author of Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale University Press), out in paperback May 2018). Learn more about your ad choices. Visit megaphone.fm/adchoices

Simeon Man‘s book Soldiering through Empire: Race and the Making of the Decolonizing Pacific (University of California Press, 2018) focuses on the role of Asians who worked within the making of U.S. global power after 1945. Man argues that the Cold War divide between communism and liberal democracy cast Asians into either bad or good—the bad being the Communists and Viet Cong, and the good being military servicemen channeled into American war zones. Following the labor circuits of Asian military workers and soldiers as they navigated an emergent Pacific world, Man reframes Asians as both U.S. citizens and as people from Asian countries like the Philippines, South Korea, and Taiwan. Doing so, Man writes, allows us to understand how U.S. empire took hold through a murky process of decolonization that on its surface sought to create an “Asia for Asians” but actually legitimated and obscured U.S. state violence. At the same time, Man traces other forms of decolonization by Asian soldiers who sought freedom and self-determination beyond the nation-state form, and saw decolonizing projects as permanently suspended and incomplete. Christopher B. Patterson teaches at Hong Kong Baptist University and is the author of Transitive Cultures: Anglophone Literature of the Transpacific. Learn more about your ad choices. Visit megaphone.fm/adchoices

Recent historical scholarship stresses the transnational linkages between movements to restrict Asian migration in the Anglophone world. David Atkinson’s The Burden of White Supremacy: Containing Asian Migration in the British Empire and the United States (UNC Press, 2016) offers an important revision to this literature by examining legal and social responses to Japanese and South Asian mobility in Australia, New Zealand, South Africa, Canada, and the U.S. between 1896 and 1924. Atkinson argues that, while these various geographies shared similar ideologies and motivations for restricting Asian mobility, local conditions—for example, economic conditions, proximity to Asia, structures of political governance, and the number of real vs. prospective Asian migrants—were far more determinative of exclusionary campaigns and policies. The resulting imperial discord and international tensions constituted the “burden of white supremacy.” In this conversation, Atkinson shares insights from this complex history, as well as his approach to researching and crafting a multi-national, multi-archival project. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Children of Reunion: Vietnamese Adoptions and the Politics of Family Migrations (University of North Carolina Press, 2017), Allison Varzally documents the history of Vietnamese adoption in the United States during the second half of the twentieth century. Varzally adds to the growing literature on Southeast Asian Americans and on Asian international adoption by highlighting the distinctiveness of Vietnamese adoption for its liberal orientation and its expansive notion of kinship. Four chapters trace this history from its antiwar beginnings in the early Cold War; to Operation Babylift in 1975 and its controversial legal aftermath; to the federal legislation and social practices that shaped the “homecomings” of Amerasians in the 1980s; and, finally, to Vietnamese adoptees own attempts in the 1990s (and beyond) to find meaning in their journeys. Making ample use of oral history, Varzally tells stories that are both heart-rending and inspiring. They confirm that family formation was a central site of political contestation and protest in late twentieth-century America. Children of Reunion offers food for thought in contemporary debates over refugee resettlement and family reunification as a principle for immigration policymaking. Ian Shin is C3-Mellon Postdoctoral Fellow and Lecturer in the History Department at Bates College, where his teaching and research focus on the history of the U.S. in the world and Asian American history. He is currently completing a book manuscript on the politics of Chinese art collecting in the United States in the early 20th century. Ian welcomes listener questions and feedback at kshin@bates.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

With the railroad’s arrival in the late nineteenth century, immigrants of all colors rushed to the U.S.-Mexico borderlands, transforming the region into a booming international hub of economic and human activity. Following the stream of Mexican, Chinese, and African American migration, Julian Lim presents a fresh study of the multiracial intersections of the borderlands, where diverse peoples crossed multiple boundaries in search of new economic opportunities and social relations. However, as these migrants came together in ways that blurred and confounded elite expectations of racial order, both the United States and Mexico resorted to increasingly exclusionary immigration policies in order to make the multiracial populations of the borderlands less visible within the body politic, and to remove them from the boundaries of national identity altogether. In Porous Borders: Multiracial Migrations and the Law in the U.S.-Mexico Borderlands (UNC Press, 2017), Lim reveals how a borderlands region that has traditionally been defined by Mexican-Anglo relations was in fact shaped by a diverse population that came together dynamically through work and play, in the streets and in homes, through war and marriage, and in the very act of crossing the border. Julian Lim is an Assistant Professor of History at Arizona State University. She holds a B.A. in literature and a law degree from U.C. Berkeley, and received her Ph.D. in History from Cornell University. Trained in history and law, she focuses on immigration, borders, and race, and has taught in both history department and law school settings. Lori A. Flores is an Associate Professor of History at Stony Brook University (SUNY) and the author of Grounds for Dreaming: Mexican Americans, Mexican Immigrants, and the California Farmworker Movement (Yale University Press, out in paperback May 2018). Learn more about your ad choices. Visit megaphone.fm/adchoices

Christopher B. Patterson‘s book Transitive Cultures: Anglophone Literature of the Transpacific (Rutgers University Press, 2018) reads English-language literary production from Southeast Asia and its diasporas in North America to recognize and reveal discourses of pluralist governance. Building upon established arguments that state-sponsored multiculturalism at home justifies imperialism abroad and that state-assigned ethnic identities in Southeast Asia are vestiges of colonial pluralism, Patterson studies minor literatures of the Transpacific as a mode of creative response to pluralist govermentality. In examining these cultural communities, he finds an alternative politics of identity in their literature that express a motif of “transition.” Engaging in these ceaseless processes of transition, which Patterson dubs “Transitive Cultures,” enables individuals to maintain mobility in hyper-controlled spaces. Instead of using a national paradigm, such as “Asian-American literature,” Patterson uses the term “Transpacific Anglophone literature” to describe English-language texts from Malaysia, Singapore, and the Philippines as well as those written by Southeast Asian migrants to Hawaii, Canada, and the mainland United States. He uses this label to emphasize the encounter and exchange that typifies transitive culture, and to stress the ideology of linguistic identities. This genealogy of an under-appreciated literary tradition explores transitive cultures in metahistorical novels, travel narratives, and in non-realist genres and offers a border-crossing method for conceptualizing and reading literature that purposefully elides multicultural categorizations. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Flavors of Empire: Food and the Making of Thai America (University of California Press, 2017), Mark Padoongpatt weaves together histories of food, empire, race, immigration, and Los Angeles in the second half of the twentieth century. Flavors of Empire explores how Thai food became hyper-visible in the United States, and yet Thai people have remained relatively invisible in American life. The story of Thai food in America begins with U.S. informal empire and culinary tourism in Thailand in the 1950s. Subsequent migration and settlement in LA spurred a Thai restaurant boom in the 1970s and 1980s. Padoongpatt investigates how these culinary contact zones helped shape Thai identity while remaining attentive to tensions over ethnicity, class, and gender in these spaces. The commercially driven, multicultural sensibility that made Thai cuisine popular among Angelenos had its limits, however, and Padoongpatt uses the clash over a weekend food festival at a Thai Buddhist temple to highlight conflicting modes of suburbanization. By the 1990s, the Thai community could organize politically, and used local culinary tourism to stimulate equitable economic development in the newly designated Thai Town neighborhood of LA. As the story of Thai cuisine in the U.S. continues to unfold, Flavors of Empire urges readers to think critically about the long journeys—both geographic and historical—that our food has taken to get to our plates. Ian Shin is C3-Mellon Postdoctoral Fellow and Lecturer in the History Department at Bates College, where his teaching and research focus on the history of the U.S. in the world and Asian American history. He is currently completing a book manuscript on the politics of Chinese art collecting in the United States in the early 20th century. Ian welcomes listener questions and feedback at kshin@bates.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harrod Suarez‘s new book The Work of Mothering: Globalization and the Filipino Diaspora (University of Illinois Press, 2017) focuses on the domestic workers that make up around a third of all overseas Filipino/a workers, and whose remittances back to the Philippines contribute to about 9% of its GDP or around twenty billion dollars. These migrants circulate through the world serving in positions of nurture, care, and service. Suarez examines literary, film, and cultural representations of these figures as part and parcel of a broader historical movement that structures the Philippines under globalization. To understand the multiple sites and histories of these figures, Suarez employs a framework that he calls “the diasporic maternal,” which focuses on the various forms of care and service that these migrants occupy throughout the world. Through a reading method that Suarez calls “archipelagic reading,” Suarez attempts to trace the undercurrents of these narratives that expose the feelings, desires and strategies that exist outside of motherhood and maternal care. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1898, the United States took control of the Philippines from the Spanish. The U.S. then entered into a brutal war to make the Filipinos submit to the new colonial power. The war and subsequent decades of U.S. rule meant a small, but continuous presence of American soldiers on the islands, which, unsurprisingly, produced a notable population of children born to Filipino mothers and American fathers. Nicholas Trajano Molnar’s new book, American Mestizos, the Philippines, and the Malleability of Race, 1898-1961 (University of Missouri Press, 2017), examines the contested racial identities of these children. The United States brought a strong and binary sense of racial hierarchy to the discussion. Yet, as Molnar shows, Filipino understandings of race prevented a simple application of American ideas. The children were defined as American Mestizos locally, but many simply lived as Filipinos. Molnar’s book examines the ongoing contest over this mixed nationality and mixed race populations identity. By examining the process of racial formation of a group that never cohered as a separate identity group, American Mestizos provides uncommon insight into, as the title suggests, the malleability of race, and does so in a very readable narrative. In this episode, Molnar discusses the insights of American Mestizos about this history of racial identity in the Philippines and in the U.S. He explains some of the efforts within the Philippines and by U.S. policymakers to shape the racial identity of the Mestizos and the stakes of this debate for various segments of the U.S. military. Finally, he also discusses the research involved in the project. Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th-century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked with Angela Davis-Gardner, an award-winning North Carolina-based novelist writing about Japan. Her book Butterfly’s Child (Random House, 2011) depicts the journey of a Japanese American boy Benji, who is plucked from the security of his home in Nagasaki to live with his American father, Benjamin Franklin Pinkerton, and stepmother, Kate, on their farm in Illinois. When the true that Benji’s true identity as a child born from a liaison between an officer and a geisha surfaces, Benji is set on a journey to uncover the truth about his mother’s tragic death. In this interview, Angela explains the conflicts, love, betrayal and redemption beautifully conceived and portrayed in her book. Melody Yunzi Li, originally from Canton, China, is currently a visiting assistant professor at Transylvania University. She holds an MPhil in translation from the University of Hong Kong and is a PhD candidate in Comparative Literature at Washington University in St.Louis. She was also a visiting scholar at Harvard University 2015-2016. Her research areas include Asian American studies, modern Chinese literature, film and culture and diasporic Chinese literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

In his new book, Chino: Anti-Chinese Racism in Mexico, 1880-1940 (University of Illinois Press, 2017), Jason Oliver Chang (University of Connecticut) traces the evolution of the Chinese in Mexico from “disposable laborers” (motores de sangre, or “engines of blood”) to “killable subjects” to “pernicious defilers.” Applying an Asian Americanist critique to the political and intellectual history of modern Mexico, Chang revises conventional explanations of the relationship between mestizo national identity and anti-Chinese racism by showing that the former did not lead to the latter. Rather, antichinismo shaped the development of that identity through its emphases on gender and sexuality, eugenics, public health, and other modes of social control in pursuit of “self-colonization.” Throughout the book, Chang remains attentive to regional and class differences in the penetration of this ideology, and also shows how Chinese migrants organized among themselves and across racial lines to resist displacement and violence. As a history of racialized statecraft in the Americas, Chino adds to growing body of scholarship on Western hemispheric Asian American studies and Orientalism. Ian Shin is C3-Mellon Postdoctoral Fellow and Lecturer in the History Department at Bates College, where his teaching and research focus on the history of the U.S. in the world and Asian American history. He is currently completing a book manuscript on the politics of Chinese art collecting in the United States in the early 20th century. Ian welcomes listener questions and feedback at kshin@bates.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her recent book, A Different Shade of Justice: Asian American Civil Rights in the South (University of North Carolina Press, 2017), Stephanie Hinnershitz (Cleveland State University) examines the important but overlooked contributions of Asian Americans to civil rights activism in the U.S. South. Hinnershitz takes a thematic focus across the long 20th century to show how Chinese, Japanese, Filipinos, Vietnamese, and South Asians contested discrimination in land ownership, education, sexual relations and marriage, and business entrepreneurship. From “self-Orientalizing” as non-colored people to invoking their privileges as foreign nationals or refugees, the strategies and arguments that Asian Americans employed in the long and uneven struggle for equality were as varied as they were creative. Hinnershitz uses a wide-ranging source base including legal opinions, newspapers, and oral histories to narrate heartbreaking losses as well as surprising victories, such as the injunction against Klan violence that Vietnamese fishermen won in Texas in 1981. A Different Shade of Justice will interest readers of 20th-century US history, legal history, southern history, and Asian American history. Ian Shin is C3-Mellon Postdoctoral Fellow and Lecturer in the History Department at Bates College, where his teaching and research focus on the history of the U.S. in the world and Asian American history. He is currently completing a book manuscript on the politics of Chinese art collecting in the United States in the early 20th century. Ian welcomes listener questions and feedback at kshin@bates.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

The government of the Philippines has for decades encouraged its citizens to seek work abroad and send money back to the country in remittances. But in recent years it has increasingly sought to entice Filipinos who have settled abroad to come home, not only for tourism but also for retirement. In Migrant Returns: Manila, Development, and Transnational Connectivity (Duke University Press, 2017), Eric J. Pido travels with Filipino Americans as they try to reimagine their lives and lifestyles in the gated communities and malls of Manila, and beyond. Along the way he encounters real estate agents, bureaucrats, investors and family members of returnees, or balikbayan, all in one way or another participating in attempts at selling an idea of home, one that for balikbayan from the US in particular evokes feelings both of homecoming and of a homeliness that they associate with their years spent on the other side of the Pacific. Eric J. Pido joins New Books in Southeast Asian Studies to talk about histories of departing from and returning to the Philippines, segregated suburbs and walled megacities, the balikbayan economy, returning migrants’ anxieties and hopes, medical tourism, and 1950s nostalgia. You may also be interested in: Megha Amrith, Caring for Strangers: Filipino Medical Workers in Asia Ulla Berg, Mobile Selves: Race, Migration, and Belonging in Peru and the US Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University. He can be reached at nick.cheesman@anu.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

The mass incarceration of Japanese Americans in the Pacific West is one of the most shameful episodes in our nation’s history. As the United States waged war against fascism, it removed tens of thousands of American citizens and their families from their homes. The First to Cry Down Injustice?: Western Jews and Japanese Removal during WWII (Lexington Books, 2008) invites us into a community in the middle of that contradiction. American Jews knew too well the dangers of prejudice but remained firmly committed to the fight against Nazism, at any cost. Professor Ellen Eisenberg invites us into the complexity of Jewish response to Japanese incarceration. In doing so, she parses the tense and near universal silence that Jewish institutions kept as their Japanese neighbor disappeared. This silence, she proposes, reflected not indifference but a struggle to reconcile opposition to bigotry with an unwillingness to risk speaking out. But she also tells other stories at the margins of that silence. Jewish civic leaders, academics, and Rabbis who raised their voices in resistance. And one Jewish institution that chose a different path, and in doing so providing the federal administration propaganda to support the incarceration policy. Professor Eisenberg paints in great detail the larger context of the Western ethnic landscape and argues that Jewish responses to Japanese incarceration were linked to, and help to illuminate the identity of western Jews both as Westerners and as Jews. Jeremy Wood is a Seattle attorney. Much of his legal and scholarly work has concerned Native American interests. He also serves as Co-Chair for the Seattle City Human Rights Commission and teaches Jewish literature to high school students after school. You can learn more about his work by visiting https://www.linkedin.com/in/jeremyfwood. He can be reach at jeremywood10@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Richard Jean So’s new book studies a group of American and Chinese writers in the three decades after WWI to propose a conceptual framework for understanding intellectual and cultural relations between China and America in the twentieth century and beyond. The period that So focuses on was crucial for a number of reasons, including a transformation in US-China relations, transformations in the world economy and international politics, the rise of a new era in media technologies (including the formation of a massive technological infrastructure between the US and East Asia, due in part to radio and telegraph technology and a transpacific transportation system) and the related emergence of a discourse of communications. In Transpacific Community: America, China, and the Rise and Fall of a Cultural Network (Columbia University Press, 2016), So argues that literary histories of U.S.-China cultural encounter in the twentieth century must also, in part, be histories of media. So recasts the Pacific in the twentieth century as a site of mediation and traces the engagement with concepts of democracy through the work of such writers as Agnes Smedley, Pearl Buck, Paul Robeson, Lin Yutang, Ding Ling, Liu Liangmo, Lao She, and Ida Puitt. It’s a focused, compelling account with resonance for Asian studies, Asian American studies, and broader debates about literature, translation, networks, and media in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Becoming Sui Sin Far: Early Fiction, Journalism and Travel Writing of Edith Maude Eaton (McGill-Queens University Press, 2016) is a collection of works–previously published and newly discovered–produced by Edith Eaton, the writer whose literary status seems to escape the limitations of definitions and categorizations. Sui Sin Far is one of the pseudonyms Eaton invented: this gesture can also be presented as an attempt to escape the limitations of, so to speak, one life. Through compiling Eaton’s diverse oeuvre, Mary Chapman, the editor of the collection, presents her vision of Eaton, initiating the reconsideration of the stereotypical reading of Eaton as the writer who was interested predominantly in the exploration of the themes connected with Chinese immigrants in Canada and in the US. The current edition includes four main parts that present the trajectory of Eaton’s writing: “Early Montreal Fiction, Poetry, and Literary Sketches (1888-1891)”;” Selected Early Journalism: Montreal (1890-1896)”; “Selected Early Journalism: Jamaica (1897-1897)”; “Selected Later Fiction (1896-1906)”; “Cross-Continental Writing (1904)”. Having conducted a careful and detailed investigative work, Chapman not only adds new details to the existing portrait of Eaton but also pinpoints aspects that highlight sides–literary, cultural, sociological, political–that have been dismissed or disregarded before. Thus, as the collection demonstrates, Eaton can be characterized by an exclusive ability of curiosity and constant exploration of diverse themes, ranging from observations of trivial life situations to acute insights into the individual’s psychology and ironic remarks concerning social, economic, political issues that were accompanying the era which Eaton happened to witness. Whichever episode Eaton may write, she seems to be indefatigably pursuing the topic that can be claimed to be a link connecting a diversity of fiction and/or journalistic pieces: individuality. The first part of the collection opens with an eloquent statement: “After all I have no nationality and am not anxious to claim any. Individuality is more that nationality (“Leaves from the Mental Portfolio of an Eurasian, 230″).” Eaton’s diverse writing can be interpreted as an attempt to explore her own individuality and to discover writing as traveling: through writing Eaton obtains access to unlimited space of imagination, subverting the boundaries of national, gender, racial, social, political, or literary conventions. Highlighting Eaton’s diverse oeuvre, Chapman shifts an emphasis from national topics (American, Chinese, or Canadian) to transnationalism and transculturalism, contributing to the decoding of Eaton’s understanding of individuality. In the introduction that accompanies the collection, Chapman argues for Eaton’s in-betweeness: Eaton surpasses the boundaries of Asian American and Asian Canadian literature. Chapman’s discussion of Eaton that emphasizes the blurry boundaries of nationhood and invites the conversation about nation formation from the stand point of shifting concepts contributes to the reconsideration of literary canons. Dr. Mary Chapman is Professor of English and Acting Chair of Arts Studies in the Department of English at the University of British Columbia. Dr. Chapman is the author of Making Noise, Making News: Suffrage Print Culture and US Modernism; and a co-editor of Treacherous Texts: An Anthology of US Suffrage Literature. She also has numerous publications in academic journals. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eric Tang’s book, Unsettled: Cambodian Refugees in the NYC Hyperghetto (Temple University Press, 2015), is an intimate ethnography of a single person, Ra Pronh, a fifty year old survivor of the Cambodian genocide, who afterwards spent nearly six years in refugee camps in Thailand and the Philippines before moving to the Northwest Bronx in 1986. Through Ra’s story, Tang re-conceives of the refugee experience not as an arrival, but as a continued entrapment within the structures and politics set in place upon migration. Situating Ra’s story within a larger context of liberal warfare, Tang asks how the refugee narrative has operated as a solution to Americas imperial wars overseas, and to its domestic wars against its poorest residents within the hyperghetto. Christopher B. Patterson is a Postdoctoral Research Fellow in the Centre for Cultural Studies at the Chinese University of Hong Kong. His articles have appeared or are forthcoming in American Quarterly, Games and Culture, M.E.L.U.S. (Multi-ethnic Literatures of the United States) and the anthologies Global Asian American Popular Cultures (NYU Press) and Queer Sex Work (Routledge). He writes book reviews for Asiatic, MELUS, and spent two years as a program director for the Seattle Asian American Film Festival. His fiction, published under his alter ego Kawika Guillermo, has appeared in numerous journals, and he writes regularly for Drunken Boat and decomP Magazine. His debut novel, Stamped, is forthcoming in 2017 from CCLAP Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

The dialectical configuration of black inclusion/Chinese exclusion is at the center of Edlie Wong‘s book Racial Reconstruction: Black Inclusion, Chinese Exclusion, and the Fictions of Citizenship (New York University Press, 2015). At the end of the 19th century, the southern United States was experimenting with a transition from a dependency on uncompensated, coerced labor in the form of black chattel slavery, to a system of (nominally) voluntary, wage labor i.e. Chinese contract labor (coolieism), modeled most prominently in nearby colonial Cuba. Wong poses the important question of whether coolieism constituted a form of slavery or was indeed, a transition to free labor. In so doing, Racial Reconstruction explores the implications of mutually constitutive African American and Chinese American racialized identity formations, the Chinese Question, and the Negro Problem being coterminous: Chinese exclusion–the exception that proved the rule–helped America define itself as a free nation in the wake of racial slavery. Wong’s use of unusual documentary sources such as the underexamined archive of Anglo-American Cuban travelogues and invasion fiction by both African and European Americans, limns the changing racial landscape of Reconstruction-era immigration policies and conceptions of citizenship that shaped Asian-American cultural politics and impacted African American life. NB: Professor Wong’s next project, mentioned toward the end of the interview, concerns apprenticeship and not indenture as indicated. Mireille Djenno is the Librarian for African, African American and Diaspora Studies at the University of North Carolina at Chapel Hill. Learn more about your ad choices. Visit megaphone.fm/adchoices

Verge: Studies in Global Asias is an inspiring and path-breaking new journal that explores innovative forms for individual and collaborative scholarly work. I had the privilege of talking with Charlotte Eubanks, Jonathan E. Abel, and Tina Chen about Volume 1, Issue 2: Collecting Asias (Fall 2015), which includes – among several fascinating essays – a portfolio of Akamatsu Toshiko’s sketches of Micronesia, an interview about Mughal collections, an introduction to three wonderful digital projects, and a field trip to collaboratively-curated exhibition. In addition to exploring the particular contributions of this special issue, we talked about some of the features of the journal that really excitingly push the boundaries of what an academic journal can be, considering aspects of the innovative forms that are curated in the Convergence section of Verge and reflected in its essays. Highly recommended, both for reading and for teaching! Carla Nappi is Associate Professor of History at the University of British Columbia. Her research and writing concern the histories of science, medicine, materiality, and their translations in early modern China. You can find out more about her work by visiting www.carlanappi.com. She can be reach at carlanappi@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her new book, Identity, Youth, and Gender in the Korean American Church (Palgrave Macmillan, 2015), Dr. Christine Hong explores the lives of female Korean American Mainline Christian adolescents. Hong’s work, an exercise in feminist ethnography and practical theology, focuses on the difficulties these young women encounter as people who face marginalization within both broader American society and their own faith communities, and discusses ways to help them overcome these obstacles. Hong’s sensitive analysis is sure to benefit anyone interested in religion, ethnicity, and youth in America. Learn more about your ad choices. Visit megaphone.fm/adchoices

Many people assume that music, especially classical music, is a universal language that transcends racial and class boundaries. At the same time, many musicians, fans, and scholars praise music’s ability to protest injustice, transform social relations and give voice to the marginalized. There is a tension between the ideas of music as a universal language and the voice of the oppressed. In her new book Soundtracks of Asian America: Navigating Race Through Musical Performance (Duke University Press, 2015), Grace Wang explores how the music and sound, not simply appearance, produces and reinforces racial and ethnic stereotypes and inequality about Asian Americans. Examining classical and pop music in the United States and in Asia, Wang reveals how music and attitudes toward music are essential in crafting identities and navigating racial and class boundaries. Wang uncovers that while music and the discourses around it can reify harmful and limiting stereotypes about Asian Americans, music also provides spaces for artistic and personal freedom and creativity. These creative spaces, however, are not completely unmarked by the race, ethnicity, or social class. Grace Wang is Associate Professor of American Studies at the University of California, Davis. She also serves as affiliate faculty with the Cultural Studies Graduate Group. Her areas of interest include Asian American studies, transnational American studies, immigration, race, and music. You can read the introduction to Soundtracks of Asian America here. Learn more about your ad choices. Visit megaphone.fm/adchoices

With high educational and professional attainment, Asian Americans are often portrayed as the “Model Minority” in popular media. This portrayal, though, is widely panned by academics and activists who claim that it lacks nuance. Madeline Y. Hsu, Associate Professor, University of Texas at Austin, provides such nuance through here historical account of Chinese immigration to the US, entitled The Good Immigrants: How the Yellow Peril Became the Model Minority (Princeton University Press, 2015). Dr. Hsu brings focus to “side door” immigration–students, paroled refugees, and even current H-1B visa holders–that has been crucial to Chinese immigration to the US for well over a century. Through her historical analysis, she shows that the US immigration policy towards China has mostly been skewed towards a selection of higher skilled or more educated émigré. Dr. Hsu joins New Books in Education for the interview to discuss her book. For questions or comments on the podcast, you can also find the host on Twitter at @PoliticsAndEd. Learn more about your ad choices. Visit megaphone.fm/adchoices

The intersection between ethnic and religious identities can be both complex and rich, particularly when dealing with a community that still has deep roots in the immigrant experience. In his book, Memory and Honor: Cultural and Generational Ministry with Korean American Communities (Liturgical Press, 2013), Fr. Simon C. Kim explores these issues in the Korean American Catholic community. In this deeply reflective work, Fr. Kim grapples with the many issues, such as the generational divide between ethnic Korean Catholics who immigrated, the children they brought with them from Korea, and their grandchildren born in the United States, and what it means to be a Catholic of Korean ethnicity when Protestant forms of Christianity are linked so tightly with that ethnic group in the popular imagination. This pioneering work will be of interest not only to scholars working in Asian American religion, but anyone who is curious about the connection between ethnicity and Christianity. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wen Jin’s book, Pluralist Universalism: An Asian Americanist Critique of U.S. and Chinese Multiculturalisms (Ohio State Press, 2012), compares histories and modes of multiculturalism in China and the United States. Whereas many see few correlations between China’s ethnic policies and the multiculturalist policies of the U.S., Wen Jin brings these narratives and histories together to show their common themes. In attempting to incorporate diverse bodies into a state project, both multiculturalisms make their respective countries seem exceptional in their tolerance and acceptance of diverse peoples. Through this comparison, Wen Jin offers a rich study of multiculturalism that allows readers to see its more tangible form, rather than to see one as superior to the other. Wen Jin does this by reading literary narratives that feature a “double critique,” in that they are critical of both the U.S. and China for deploying discourses of diversity in order to justify and rationalize state power. Ultimately, Pluralist Universalism provokes forms of conciliatory or official multiculturalism and leads us to question the very identity politics that has formed the basis of globalization and capitalist growth in the 21st century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Doug McAdam and Karina Kloos are the authors of Deeply Divided: Racial Politics and Social Movements in Postwar America (Oxford University Press, 2014). McAdam is The Ray Lyman Wilbur Professor of Sociology at Stanford University and the former Director of the Center for Advanced Study in the Behavioral Sciences. Kloos is a scholar of political sociology and social movements at Stanford University, where she is a PhD candidate. What has gotten us to this point of high political polarization and high income inequality? McAdam and Kloos offer a novel answer to what divides us as a country that focuses on the role social movements have in pulling parties to the extremes or pushing parties to the middle. They argue that the post-World War II period was unusual for its low levels of social movement activities and the resulting political centrism of the 1950s. The Civil Rights movement that followed – and the related backlash politics of the Southern Democrats – pushed the parties away from the center and toward regional realignment. Along the way, activists re-wrote party voting procedures that reinforced the power of vocal minorities within each party, thereby entrenching political polarization for the decades to come. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean Metzger‘s Chinese Looks: Fashion, Performance, Race (Indiana University Press 2014),examines how, in the past 150 years, China was rendered legible to Americans through items of clothing and adornment. Professor Metzger offers a rich and detailed study of Chinese fashion, calling it the “Sino/American interface” that marks political and cultural investments in America’s views of China and Chinese Americans. Professor Metzger does this by providing a cinematic and performance-based cultural history of four iconic objects: the queue, or man’s hair braid; the woman’s suit or the qipao; the Mao suit; and the tuxedo. Rather than simply provide a consumptive or trading history of these garments, professor Metzger traces their emergence as consolidating discourses of gender, race, politics and aesthetics. In doing so, he asks larger questions about how garments can and have been used to express ethnicity, and to render new meanings onto racialized bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Denise Cruz‘s Transpacific Femininities: The Making of the Modern Filipina (Duke University Press, 2012) traces representations of Filipinas in literature and popular culture during periods of transitional power in the Philippines, from the transition from Spanish to American colonial power, then to Japanese Imperialism, then to independence and the Cold War, and then to contemporary global capital. Professor Cruz questions how these disruptions in power destabilized the elite classes, and provided moments of possibility for writers to shift ideas of femininity in the Philippines and for Filipinas abroad. Rather than focus solely on gender within the Philippines, Cruz considers how Filipina femininity was made through imperial networks from Spain, Japan, America and across the globe. In doing so, she exposes how the making of the Filipina was neither natural nor national, but was actually a strategic response to shifting colonial powers as well as to the demands of the global capital market.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Vernadette Vicuna Gonzalez‘s Securing Paradise: Tourism and Militarism in Hawai’i and the Philippines (Duke University Press, 2013), examines the intertwined relationship between tourism and militarism in Hawai’i and the Philippines. Dr. Gonzalez questions dominant narratives of tourism as a tool of development by focusing on tourism as a means of both signifying and legitimating types of security provided by American military forces. Dr. Gonzalez uses an archive that includes literary works, travel brochures, highways, military bases and travel tours, in order to expose how tourism thrives on feelings of nostalgia, heroism and international brotherhood. Learn more about your ad choices. Visit megaphone.fm/adchoices

Modernity and religion have often been seen as fundamentally at odds. However, the articles in Encountering Modernity: Christianity in East Asia and Asian America (University of Hawaii Press, 2014 ), edited by Albert L. Park and David K. Yoo, argue that Protestant Christianity has played an important role in how East Asians understood and adapted to the modern world. In particular, these articles focus on locating Christianity within East Asian political, economic, and social contexts and analyzing how Protestantism interacted with these different spheres of human activity. Articles in this anthology cover China, Japan, Korea, and Taiwan, as well as Americans who claim descent from these nations, from the late nineteenth century to the present day, covering such diverse topics as Korean megachurches, Christianity and nationalism in wartime Japan, and social networks in south China. As such, this volume offers a great deal not only those who study Christianity, but to anyone interested in learning more about East Asian history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Martin Joseph Ponce‘s recently published book, Beyond the Nation: Diasporic Filipino Literature and Queer Reading (NYU Press, 2012), traces the roots of Filipino literature to examine how it was shaped by forces of colonialism, imperialism, and migration. Rather than focusing on race and nation as main categories of analysis, Ponce uses a queer diasporic reading to consider the multiple audiences for Filipino literature. In doing so, he explores alternatives to the nation as the basis for an imagined community, and focuses instead on sexual politics and the transpacific tactics of reading. Learn more about your ad choices. Visit megaphone.fm/adchoices

Leilani Nishime‘s Undercover Asian: Multiracial Asian Americans in Visual Culture (University of Illinois Press, 2014) challenges the dominant U.S. cultural narrative that imagines multiracial people as symbols of a future United States where race has ceased to function as a viable category. Nishime considers how representations of mixed race people often negate the significance of race by seeing racial mixture as an unprecedented social development that can promise a future free of race. By reading an archive of visual pop-culture that includes the celebrity of Tiger Woods, the film series “The Matrix” and reality television, Nishime considers how various narratives of multiracial Asian Americans can rupture naturalized notions of racial difference. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emma Teng‘s new book explores the discourses about Eurasian identity, and the lived experiences of Eurasian people, in China, Hong Kong, and the US between the signing of the Treaty of Nanjing in 1842 and the repeal of the Chinese Exclusion Act in 1943. Eurasian: Mixed Identities in the United States, China, and Hong Kong, 1842-1943 (University of California Press, 2013) situates this history within a broader frame of competing scientific, cultural, and political notions of racial hybridity as a detrimental or positive force, as a transformative power leading to racial degeneration or eugenic improvement. Placing special emphasis on the importance of self-narratives of some of the main figures of Teng’s account, Eurasian is built around the stories of families who lived through and contributed to early debates over Chinese-Western intermarriage in the US and China, tracing the histories of many of these families through the experiences of their children and the transformations they help shape, and understanding these stories alongside larger social and political discourses of Eurasian identity. It is a fascinating, sensitively wrought, and carefully argued book that both engages and shifts debates in the many fields that intersect in this modern history of Eurasian identity and its many voices, and offers a polyvocal accounting of the many ways that Eurasian identity was claimed by individuals and communities from British Columbia to Hong Kong. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ellen D. Wu‘s The Color of Success: Asian Americans and the Origins of the Model Minority (Princeton University Press, 2014) charts the complex emergence of the model minority myth in fashioning Asian American stereotypes throughout the twentieth century. Wu investigates how inclusion of Asian Americans rather than exclusion can still reproduce racist attitudes against Asian Americans as well as other communities of color. In doing so, professor Wu considers the model minority myth’s multiple points of emergence from the U.S. state, countries in Asia, and Asian American communities themselves. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thuy Linh Tu‘s The Beautiful Generation: Asian Americans and the Cultural Economy of Fashion (Duke University Press, 2010) considers the recent rise of Asian Americans working in New York’s fashion industry, and explores how Asian-inspired fashions speak to American anxieties concerning the growing economic and cultural power of Asian nation-states. Rather than see Asian American designers as either complicit or subversive to the growing trends of Asian chic, The Beautiful Generation investigates how these designers continue to change American perspectives of fashion by making relationships between the product and the manufacturing process more intimate. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rick Baldoz is the author of The Third Asiatic Invasion: Migration and Empire in Filipino America, 1898-1946 (NYU Press, 2011), which investigates the complex relationship between the U.S. and Filipinos. Unlike other Asian American groups, Filipinos were considered colonial subjects of the American empire, and therefore were granted more rights and were defined as national subjects. At the same time, these Filipinos and Filipinas were still perceived as aliens, and were characterized as sexually and morally deviant. Baldoz considers how American imperial ascendancy affected the identity of the Filipino and Filipina migrants in relation to Puerto Rican, Mexican, and Chinese migrants. Learn more about your ad choices. Visit megaphone.fm/adchoices

Erin Khue Ninh is the author of Ingratitude: The Debt-Bound Daughter in Asian American Literature (New York University Press, 2011), which in 2013, won the Literary Studies Book Award from the Association for Asian American Studies. Ingratitude investigates the figure of the daughter in Asian American literature, which has lately been dismissed as a figure that downplays political and historical conflict by fulfilling model minority achievement. Ninh responds to this view by seeing the immigrant family as a form of capitalist enterprise, and thus the Asian American daughter as a locus of conflicting power. Through literary analyses of texts by Jade Snow Wong, Maxine Hong Kingston, Evelyn Lau and others, Ninh explores the figure of the Asian American daughter as a debtor, whose obligation to the parents are always designated to fail, and whose rebellion comes in the form of sexual freedom and through the act of writing itself. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia H. Lee is the author of Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896-1937 (New York University Press, 2011). Dr. Lee is an Assistant Professor in the department of Asian American Studies at the University of California, Irvine. Interracial Encounters investigates the overlapping of African American and Asian American literature. By focusing on the diverse attitudes that blacks and Asian Americans had towards each other, Dr. Lee pushes against dominant conceptions of these groups as either totally cooperative or as totally antagonistic. Lee also explores how American nationalism was produced through this comparison, and shows how Afro-Asian representations allowed readers and writers to consider alliances outside of the American nation-state. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicholas Hartlep is the author of The Model Minority Stereotype: Demystifying Asian American Success (Information Age, 2013). Dr. Hartlep is an Assistant Professor of Educational Foundations at Illinois State University Dr. Hartlep’s book, The Model Minority Stereotype, is a sourcebook of annotated bibliographies that offers summaries and sometimes critiques of Asian American scholarship dealing with the model minority stereotype. As the stereotype has continued to be a heated political and social issue among Asian Americans scholars, activists and people, it can be difficult to decipher the thousands of articles, chapters and theses written about it. By framing his project through an aggressive and forward-thinking lens, Dr. Hartlep traces the diverse history and themes pervading model minority scholarship, revealing their presumptions and contributions to the general field. Learn more about your ad choices. Visit megaphone.fm/adchoices

While it has become typical to see Filipina/o migrants working in nursing or domestic work in the United States, many are surprised to see Filipina/os doing the same work in Hong Kong, Israel, and Dubai. Indeed, Filipina/o workers are ubiquitous around the globe, and may be the world’s first truly global labor force. In Robyn Rodriguez‘s new book, Migrants for Export: How the Philippine State Brokers Labor to the World (University of Minnesota Press, 2010),Rodriguez explores labor brokerage as a global capitalist strategy wherein the Philippine state mobilizes its citizens and sends them abroad to work for employers throughout the world while generating profit from the remittances that migrants send back to their families and loved ones remaining in the Philippines. Rodriguez traces this trend in Filipina/o overseas workers, which has become one of the largest labor export systems in the world. Ultimately, she questions how and why citizens from the Philippines have come to be the most globalized workforce on the planet, and argues that the reason for this lies in the emergence of the Philippine state as a labor brokerage state. Learn more about your ad choices. Visit megaphone.fm/adchoices

Read most any account of early Filipino America, and you’re likely to hear a story of roaming migrant bachelors who rarely settled. Yet if this was always the case, then how did third and forth generation Filipino/a Americans appear in the United States? In her sharply focused and elegantly written new book, Little Manila is in the Heart: The Making of the Filipina/o American Community in Stockton, California (Duke University Press, 2013), Dawn B. Mabalon narrates a fifty year history of the Filipina/o settlement in Stockton, California’s Little Manila, the largest Filipino/a settlement in its time. In focusing on the Filipina women and the role of religion, family, and community, Mabalon’s study offers new and diverse conceptions of the early Filipino/a migrant. Her book reveals a space where sedentary Filipina/os started families, churches, unions and businesses, and where migratory Filipina/os came to relax, meet old friends, dance and gamble. Acting as a center of gravity for the emerging immigrant community, Stockton’s Little Manila, over the decades, became the capitol of Filipina/o America. Learn more about your ad choices. Visit megaphone.fm/adchoices